Matt Lichtenwalner

OTR guy for Kett - roaming the US and Canada constantly. Maybe a bit of art and/or writing here and there to spice things up.

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So I decided that I would like a reference place for myself of all the kickstarters that I was involved with for 2025. With the idea that it might be of interest to some of you, I thought I would share that info here.

Gone Snowballin' teaser image for Kickstarter.

January

In January, and after our successful Kickstarter Gone Fishin', we decided to do monthly thematic one-shots for D&D.

So the first up was January's Gone Snowballin'. In short: a snowball battle for your D&D group.

Final art for the cover of Gone Snowballin'.
Gone Speed Datin' teaser art for Kickstarter.

February

For February, the obvious theme was romance, given Valentine's Day, so we built out a 'speed dating' one shot (Gone Speed Datin'), and I had a bit of fun with one of the NPCs who might wind up across the table from your character (above) while the cover art was a bit more... tame.

Gone Speed Datin' final art.
Gone Pub Crawlin' teaser art for Kickstarter.

March

Gone Pub Crawlin' was inspired by Saint Patty's Day. We used some art I did a while back for the teaser. I really kinda love that little dwarf. Goes way back to an early post in my Patreon.

Here again, the final cover art was pretty solidly different, but I like these characters, and it feels like they're crawlin from pub to pub, so...

Gone Pub Crawlin' final art.
Gone Antiquin' teaser art for Kickstarter

April

April was antiquing themed. I've no idea how / why April is associated with antiquing. 

Fun Fact: The character in the cover art for this one was originally something I started sketching up as another NPC for Gone Speed Datin'. I thought his open shirt, machismo laden body language, and cock eyed smirk made him perfect for lining up across from in a speed dating scenario. But when the guys saw it, they said we had to keep hold of him for Antiquin'. I still don't fully understand why, but was just happy he would find a home.

Gone Antiquin' final cover art.
Gone Bee Keepin' teaser art for Kickstarter

May

May was Gone Bee Keepin'. I went... a little different with this one. I really worked hard at using shapes to construct the image rather than lines. That's pretty solidly against my normal process and I found it challenging. While I'm not in love with the resulting image, I did learn a lot, and feel certain I could do something much better next time. I also did a bit of homework to figure out what sort of protective equipment medieval beekeepers wore and that's reflected in the final art. 

Gone Beekeepin' final art.
Wayward Pages teaser art for Kickstarter

June

June was the first Wayward Pages bundle. Brad and I have been doing the Location Lexicon for some time now, and we decided to try bundling together  some of them and presenting them to the Kickstarter audience. They seemed to like it, though, in hindsight, we didn't do nearly enough promotional work to make it a real success. More learning as we go. Still, it was nice to see characters and art that I'd been working on for so long actually see the light of day.

It also worked out perfectly because the crew I normally work with on Kickstarter projects was taking the month off for personal reasons.

Gone Surfin' teaser art for Kickstarter

July

July was Gone Surfin'. I went a little nutty with the cover character's pose, but it was fun, and it seemed to play well with folks. As with most of these, I could tweak this endlessly.

Gone Surfin' final art.
Gone Foragin' teaser art for Kickstarter
Teaser art for Beyond the Mycelium on Kickstarter

September

September was a busy month Gone Foragin', with the regular crew, and then Matt (the writer / designer of these) did his own separate KS for Beyond the Mycelium.

For Gone Foragin', I again stuck to using shapes far more than lines, and I definitely like the results more than I did for Beekeepin'. Rapid artistic growth for the win!

For Mycelium, I did a whole painted cover, and really enjoyed the process - especially creating characters in a scene that are supposed to be mushrooms.

Cover art for Gone Foragin'. We see a stonework cabin in the recesses of an autumnal forest while fireflies dance about. Art by mrlich.
Cover artwork for Beyond the Mycelium. Three mushroom characters appear wowed by a glowing form beneath them, and tangled dark roots line the ceiling above them. Art by mrlich
Teaser art for Gone Scarin' on Kickstarter.

October

Obviously, October was Gone Scarin'.

Another fun one for me to create, and honestly, I was finally starting to feel like I had the process down for this one. It's a little... open? to me now, but it once again felt like a solid step in the right direction for me as an illustrator.

The large, blank banner eventually held the title of the book.

The finished artwork for Gone Scarin'.
Teaser artwork for Gone Huntin' on Kickstarter.

November

November was Gone Huntin' - with characters in competition to bring in the biggest / best game. Of course, there's a bit of a twist...

I had to hurry through the cover art for this one for 'life reasons', but overall I'm pretty happy with it, and once again I learned a bit that I will be able to use going forward.

Final art for the cover of Gone Huntin' on Kickstarter.
Gone Sleighin' teaser artwork for Kickstarter

December

December was Gone Sleighin' - a snowy race in sleighs pulled by various creatures.

At the risk of sounding like a broken record, this one was both fun and educational. It felt like my composition and layout game was on point, and I like our elf friend in the front. I made the forest of trees a bit 'generic' in order to make sure they didn't detract from the rest, but looking back, I wish I'd made them a little more unique.

Final artwork for the cover of Gone Sleighin' on Kickstarter.

...and that wraps up the Kickstarter work that I did in 2025. That wasn't all of the art that I did in 2025, but this seemed like it warranted it's own separate post / archive.

What's your favorite? What would you like me to have done that I didn't?

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This is tough! Gone snowballin' , Gone Sleighin', & Mycellium I love because of the movement and depth. You really feel like you're part of the scene and they just suck you right in! You've gotten sooooooo good at that this last year.



Love the Gone Antiquin' too! You captured his personality perfectly in his pose, expression, & outfit.



There was a dude that used to come into a nightclub I worked at who he reminds me of a loooot!



He had the same hair & wore a white leisure suit, complete with chest hair peaking out of a butterfly collar.



He discoed up to me one night and in his best eyebrow waggling, cheesey disco guy style machismo flirty voice, told me he needed a drink.



I said, 'What would you like'?

He said, 'Something strong'.

I said, 'Would you like a shot?'

He said, 'Yeah...yeah a peach schnapps baby', winked, and discoed his way back to the dance floor.

 
Teaser doodle for Caravan! the Solo TTRPG Journaling Game I'm developing.

Potential Work

So a friend directed another friend to me. The third party is offering (what sounds like) real money for the project - between $1k and $2k.

They sent me an early edition of the book. It's a collection of magic items. Between 3 and 4 / page. There's about 100 pages. And they would like a full color illustration for the front cover.

So the math breaks down to about $6.66 dollars / image if I assume only 3 images / page AND they go the full $2k.

And that's without a cover illustration.

*le sigh*

I (sincerely) appreciate that laying out a couple grand out of your own pocket feels like a lot. Hell, it is a lot. But the amount of work he's asking for...

More info as I have it.

In the meantime, the gooder news:

Caravan!

I'm working pretty hard at a game I'm creating and I'm currently calling Caravan! The idea behind it is really pretty simple:

Create a simple character, who agrees to join a caravan that's going on a 30 (or 31) day trek to provide support of some kind. Use random tables to determine a daily prompt and then write ~1,667 words on that prompt. Do that every day for a month. It's like a hybrid of NaNoWriMo and some of the journaling games I've been seeing that seem popular right now.

It all evolved from my efforts during the NaNoWriMo of 2022.

I'm pretty stoked about it. It's a very simple concept, but I feel like it has a lot of potential flavor without a lot of crunch. I'm not a crunch guy.

How about you guys - what are you working on?

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I’ve always tended to write short rather than long. I might end up writing thousands of words total, but only a little bit at a time. Remind me to keep thinking about it, though.
Yeah, I think I'm more like that, myself. Little chunks. It's actualy what inspired me to do it this way for NaNo in 2022 - I needed something fresh to think about or I kinda knew I wouldn't make it all the way to the end.
 
A black and white partially finished ink version of an illustration of an elf joyously riding a sleigh which appears slightly out of control. They are closely followed by a competitor. Art by mrlich.

Working on this month's Kickstarter book cover. Gone Sleighin' will be a cozy side quest / one shot where your party can take part in a sleigh race with different kinds of animals pulling for fun and prizes.

ETA: Related question - what do you guys think - with snow (light blue) or without?

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12/3 '25 5 Comments
I like it! The bear in the upper right corner piques my curiosity.
Amusingly, I just posted this elsewhere:

Working on that cover art, and I'd like to send out a reminder to my art peeps (and mainly, my future self): Remember to flip your canvas! I thought this looked fine until I flipped it. Now that I've fixed it, I can't help but think it looked like the bear was laying on its side!
If you hadn’t said it, I might not have noticed, but yes.
It’s more noticeable when you see the whole image, but I’m saving that for a big reveal. 😜
 

I can't make a living doing these characters. Or, if that's possible, it's certainly not probable. Not by a long shot.

So what would I like to work on that does seem like it would be more reasonable to make a modicum of moolah on?

Crests. For clubs and groups. I feel like this is an untapped thing. Like, if more folks realized that they could get something like this done, they might. I've even seen more 'official' types doing this based on family lineage and whatnot. I wouldn't try to put on airs like that. I would just assemble cool symbols for things your into. Or if your D&D group has a certain collection of character types and items that might be assembled into a crest in a cool way....

really would like to work on labels for a distillery. Heck - those crests mentioned above would work for this. Something fantasy or viking theme, obviously would be ideal, but really, as long as they understand my style and aren't looking for an anime artist (because we're all the same, you know), I'm game.

Oh, who am I kidding? I would absolutely draw anime if that's what they really wanted.

Beer labels would work too.

I'd like to do some more tattoo designs (see some previous work here). That's unlikely though because most tattoo artists will do the design for free (or nearly so) and if you've done your homework on the artist in question - you know - because they're going to put their art into your flesh forever - you presumably already like their style.

What else?

Pet portraits or portraits of real people. Especially if it's a mashup of fantasy and reality. "My buddy as a barbarian." That kinda stuff. I'm admittedly not amazing at likenesses, but I can make it work, and honestly, it's an area I could use more work in to get better.

I've started doing tee shirt designs, but I'm really an amature. I've got a buddy who does a lot of graphic design work for cannabis companies and he gave me some great feedback on the existing designs in my merch shop. That said, it also made it very clear how far I have to go before I'm, you know, good.

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5/11 '23
 

The folks at gmbinder.com are kinda brilliant. They've built a website that makes it easy for any old schmo like me build a PDF with all the formatting of a Wizards of the Coast Official 5e Dungeons & Dragons manual.

You enter simple markdown into one window, the website interperets the markdown, and uses CSS to spit the content back out in a second window with all the formatting done for you. No need to learn about different fonts or spacing or... whatever.

I've seen a couple different incarnations of this kind of thing, but GMBinder seems to be the best of them - at least that I've been able to find. And it's 100% free - at least currently.

So when I first came across one of their competitors, the idea occured to me: "This would be a great way to promote dragonbones.net and my illustration services. I'll make a short "D&D Book" that is filled with my art and talks about how to hire me to create the art for your D&D book!" It's kinda meta, and I think folks would like that. I've never heard of it being done before, and the name of the game when selling anything is 'stand out from the crowd'. So if I do this right, I can stand out from the crowd while demonstrating just how perfectly I fit in with the crowd.

Oh shut it, Westley - it makes sense to me, and that's what matters.

Anyway - if any of you would like to have a look, you can find it here.

The cover is just a rough sketch, but all the art in it is my work, and I'm already working on a revision which will expand the book, provide more samples, etc. But with that said, I would love any and all criticisms / feedback / reviews / etc. Please - beat it up. :)

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1/21 '20 6 Comments
Very nice! As a remarkably minor quibble, would it look nicer or read easier if each tier was on its own page? More room for extra art, unless there's some reason to limit the page count.
I'm struggling with that a little myself. I definitely feel like there needs to be more in the way of samples, but I don't want to load it so full that it loses its "This is a real WoC document!" feel. I've been working on a revision that includes more sections (what to expect from me, how I work, etc) and those will all have more art and then if I'm not satisfied there's enough, I would probably just create several pages at the end of the document that would be exclusively a gallery of sorts.

But to your question - I can't think of any real reason to limit page count aside from my desire to keep the file size reasonable so I can email it to folks.

I'll post future versions so you can see what I've done. I DO like the idea of keeping each tier on their own page if I can do it... properly. :)

Also - a heartfelt thank you for the feedback!
Do you need one document that explains all of this minutia? Part of me is like TL;DR. I'd love to see a "short and sweet" one page slick, and then if they want more, give them something like this that explains the whole process and the benefits and what-kind-of-client-are-you.

Run this past Jerm-- he makes this stuff for a living.

(With that, I know DnD people are a different breed, a breed who still actually *reads.* But sometimes a one-pager with a stripped-down image for cheap, a more detailed one for less-cheap, and a fully-realized beautiful image for spendy hits you harder. Their eye will be drawn to the fully-realized one right away because it's the purtiest. But in the thing you have here, people don't see your best work until they're a few pages deep... and who's to say they'll get that far?

Also, I love you dearly, but that front-page image isn't pulling me in. I see what you're trying to do, but I think you put your most gorgeous work on the front cover... and maybe put thumbnails of the same image at different pricepoints/detail levels around it so they can see the options you offer.

Just a scream of consciousness reply here... sorry if I'm not totally clear.
As usual, I feel like you're spot on. This is... call it an alpha version of the final document. I was thinking that I need a "tl;dr" page as Page 1. then people can proceed if the want to.

That said, I DO want to explain the minutia. For a number of reasons, not the least of which is the fact that people ALL perceive themselves to be on the Hobbyist level when it comes to what they're willing to pay for, but they want to use it for the Professional level of product. And here's the important part: They may still feel this way when they're done looking at my PDF, but _I_ will know that I gave them the relevant information and will therefor feel okay charging them in a way that I feel is appropriate. I know that you understand how difficult that can be for me.

As to the cover - you're right. As I mentioned in the OP, this is a rough sketch, and I'm working on refining it even tonight. It will eventually be a MUCH more refined and finished image.

I will absolutely run this by Jerm.

Lastly - the advantage to old friends is, I'm certain, that their perspective is very clear regardless as to whether or not they feel like they are being so. I read you loud and clear. :)

And, as usual, I'm being... overly verbose. I _may_ have had a bit of rum, so please forgive that. ;)
Update to the cover image for those who are curious: I'm working on refining the sketch. That hand under the tablet is giving me some trouble.

I've got an idea for the finished image that I'm unsure if I can pull off, but I'm going to try. There will be magical effects coming up / off of the tablet to the glowing eyes in the shadows behind me. Along with these effects, I want to give hints of a sword in the hand with the stylus (pen mightier than the... yadda yadda) and a shield on the tablet arm. These should be subtle though - something you have to be paying attention in order to see.

The idea is to present myself as a guardian between the viewer and the monsters in the dark. I keep them at bay until the viewer gives the go ahead to release them.

That seems like a worthwhile symbolism to start the document.
 

I just had a rather fantastic encounter at my local coffee shop (Peet’s). I had settled in to do some catch up work on art stuff. I had just finished a commission for my buddy Krishna. His wife asked his daughter the age old ‘If you could have a super power, what would it be?’ thing. When they heard the result (a modification of Elsa, of course) K commissioned me to draw it up. The result is above.

Anyway - so I’d just finished up the image, and a family came in with a little boy who can’t be older than 8. I noticed the printer paper in front of him with... are those comic panels? And pencil drawings? Why yes. Yes, they are.

”Are you drawing a comic?” I asked.

He was a bit shy with the big hairy stranger, but with a glance at his mom (grandma?) sitting next to him, he said “Yeah.”

”Well that’s awesome! This is what I just finished!” at which point I turned the iPad to face him and clicked the play button on the time lapse video for the image.

His jaw dropped and his mom started Oooh-ing.

We proceeded to have a conversation about art and comics and I introduced them to software he could get for his iPad and of the very concept of ashcan comic books. He’d said that he was doing them and keeping them to himself. I explained that (if he wanted to) ash cans would let him keep the originals and still share copies with his friends.

The whole family seemed delighted.

For a while now, I have been in seventh heaven listening to the sounds of the little boy quietly narrating his comics to himself as he works. Both dialogue and (far better) sound effects keep coming while he’s drawing.

He’s not playing on an iPhone. He doesn’t have his own laptop here. He’s not watching Youtube. He’s drawing. With pencil and pen on paper.

That. Was. Me. When I was a kid, and it’s just so very good to see as an adult.

* * * * *

In case anyone’s curious, this is the text for the commission:

"Here is what M told me she said: "If she could pick any magic power she would pick being the princess of ice and snow mountains and being in control of fire. And she hopes one eye was clear and white and one eye was red and orange"."

And here’s a link to the time lapse video of the process - https://photos.app.goo.gl/YQEXkK1kQEe4DHw47

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9/23 '18 6 Comments
Gaaah! I can't read what M told you she said. It's in different text that doesn't wrap in mobile. I'm in potrait mode now, so it cuts off at

"she said: "I

When I flip my phone to landscape I get a few more characters, but they display off my display. :-)

Wondering if I should submit a bug report, or should I just reload the page requesting the Desktop Version™?
Anyway, this interaction with the boy made me SO HAPPY. Go fuzzy guy, go!
Thanks for the heads up. It's because I used the 'preformatted' option to try to differentiate - like quote formatting in a book. I've changed it so you should be able to read it now.

I've also added a bug report for the OPW folks. :)
Oh! Thanks! I was gonna do that-- thanks for taking care of it!

And thanks for re copying/pasting the quote so'z I can read it now. Yay!
OK, I'm in DesktopMode now, and it shows a teeny bit more of the quote, but it still won't wrap... and it still runs off my window no matter my phone orientation.

(I'm using Chrome.)

Bummer!
Oh, and Maj. Dickason's Blend from Peet's is the coffee of the house here. They make a half-caf version that we buy from Peet's online, and it's pretty awesome seeing the "Roasted on" date be the week prior to me grinding the beans in the kitchen. Damn tasty.

I have Patty to thank for turning us onto that blend. Peets rocks!
 

I'm home. I'm slacking.

I got mah hairs did, but I really should have taken care of updating my drivers license today, and I just didn't. Stalled until it would have taken forever and then just didn't. Tomorrow. That's the first thing.

Now? I'm sitting in a diner (not the HamFam - I didn't have the heart since it's not Mike's anymore). I had the perfect opportunity to end the evening, and as I rolled down the road, and should have turned to head to my folks' place, I just... didn't. The air is cool, and it's supposed to rain, but it isn't yet, so there's that electricity in the air that happens before storms, and it's making me feel...

What? Well, it makes me feel like I'm a teenager again and I want to gather my friends and go sneaking around the neighborhood again if I'm honest.

Except that I'm half way through my 40s. My friends are grown and have families of their own. None of the others sneak through neighborhoods anymore. (I still do, but only as a means of getting from one place to another, and fairly infrequently.)

So I turned to that old comfort: a building filled with chrome, mirrors, and greasy spoons dropped into mugs of bad coffee. It's Home - even when it's not.

Fuck it. I should get to bed. I want to make stuff happen tomorrow. I just really don't wanna dammit.

Here's the dude I was working during my travels yesterday. He's a work in progress and needs a LOT of work. I feel like the art tidal wave is slowing down. Don't want that.

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4/6 '17