Matt Lichtenwalner

Mobile mapper for DMP - roaming the US and Canada constantly. Maybe a bit of art and/or writing here and there to spice things up.

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So you're at the public pool. You finally managed to learn to keep your head above water all by yourself.

Then, you get splashed a lot and when you look around, you realize that you're in a pool where olympic athletes come to do their laps. You're surrounded by them.

Then someone comes along and says "Guess what folks, we figured out individual motor boats. No need to know how to swim anymore!"

Makes it kinda hard to keep your head above the water.

* * * * *

In case it's not abundantly clear - I'm kinda burning out. I'm still plugging along, but my heart's not really in it. There's a tremendous sense of "What's the point?"

Anyway - the image(s) up top are what I did today on my day off (rain).

Tried a new technique. Someone pointed out in one of the videos I watched that there's no real reason to stick to the old process of a. pencils, b. inks, c. color flats, and d. rendering because that was designed for the comics of old based on physical limitations created by the printing process. So if you're working digitally...

So I went straight from 'pencils' to 'painting'. Dunno. There's some good texture in there, but I think I should have spent more time on the figure's silhouette. The arms get a bit confusing.

The pose was based a little on the third one below - all of which I did yesterday just to be 'putting pen to paper'.

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6/11 '23 9 Comments
I hate to say this because I think I know what the answer is, but what if you drew with actual pencil/pen/paper or stopped using digital media for, say, a week?
I know, there’s a limited amount of stuff you can carry around with you. I get a lot of enjoyment out of the tactile part of art and crafts: writing in a notebook with a good pen, doodling with a pencil on paper, knitting with different kinds of yarn. Maybe this would help you find some enjoyment in it again.
It's funny you should mention that...

I just made myself a little 'traditional media art kit' that I keep in the car. it's another man-purse (I'm a bag whore) with the following things in it (if my memory covers everything):
* moleskine sketchbook
* small pack of watercolors (2 different packs) with brushes
* pencils
* ink pens (fineline)
* kneeded eraser
* a couple of card games
* a watercolor postcards pad (paint your postcard, then tear it out, apply postage and send)

I too get a lot out of traditional media work. It _feels good_ to do.

Two problems I have:
1. I KEEP trying to tape the page with two fingers and 'undo' the last stroke I made. I can't tell you how many times I do this. I really am a trained monkey.
2. It feels SO inefficient now. It's silly, but this actually bothers me down deep. There's a part of my brain that's constantly whispering: "We could do that faster. That wouldn't be an issue if... You know, that would take as long if..."

That's not to say it's without value. I really will try to do more, but it's a convenience thing on top of everything else.

If I stop to grab a bite, which of the two bags will I grab? The one with traditional media? (Cumbersome, no art in it to show folks who ask, can only do one thing) Or the iPad bag (with ALL my art in it, games to play while I'm eating, etc...)
Is it because of the pressure of trying to make a go of it? Figuring out how to sell, etc?
I know that can sometimes take the joy out of a thing...or is it the A.I. situation alone?
Yes to both.

And more.
I’ve been in a similar state of disheartened frustration myself lately. This is the advice my brain barfed out this evening. It may or may not make as much sense as I’d like it to.

Doug Adams said the answer to life, the universe, & everything is 42.

That's likely true. But I think all the answers can more easily be found in The Princess Bride (though towels are helpful in most any situation…).

When one has a solid direction & is aware of the terrors, one can move with effortless ease through the fireswamp. Without the awareness & direction, one spends the majority of their time fighting off R.O.U.S., half drowning in the lightning sand, whilst repeatedly falling victim to fire spurts.

Is that the definition of living there quite comfortably for some time?

Noooooooooo.

That’s just surviving out of sheer will, determination, & an intense distaste for Humperdink.

But that doesn’t allow time for thinking things through clearly, or thoroughly. Or the brainpower to ask pertinent questions like…

"What are our assets?" and "What are our liabilities?"

Take some time. Do some stuff you enjoy. Do your art for the sheer love/fun of it.

Fuck Humperdink (don’t literally fuck Humperdink…he looks like a super selfish lay…just let go of the pressure).

That’ll give ya the opportunity to assess what the assets and liabilities are.

Which generally brings clarity and direction.

So creativity can burn brightly.

Like a holocaust cloak.

And then all ya gotta do is lay around in bed admiring perfect breasts & making a few brilliant verbal stabs at that stupid Humperdink.

And Voila! Ya got the Princess.

Yes, and, yes, I wholeheartedly get it. I once was in a situation where I had to revise a play I wrote for the Philly Fringe by a specific deadline and my computer DIED. I had to rewrite by hand on paper. This was 2003 or so. Nobody had smartphones. I had to rewrite it by hand, then take it to my parents’ house and type it really fast and send it to the director.
The slow, tiring process of writing it made me think my way through what I wanted to say and use as few words as possible.

My point is, the slow process will make you learn what AI never will.
Too true. And I really do need to 'disconnect' more often than I currently do - that's for damn sure.
I just looked through the list of stuff in your non-digital art bag and I love it so much I had to buy watercolor postcards.
I overthink my visual art because I worry about wasting art supplies but then I don’t improve because I don’t practice. Unused art supplies are a bigger waste.
 

One of the themes in my life of late is to try to get as many folks as I can to see the illustration stuff I'm doing. In an era of "you don't see everything from everyone you follow" social media, this is... more challenging than seems reasonable.

I understand that mailing lists are the way to go for that, but the problem with mailing lists are two fold: 1. You have to get people onto them, which many folks are loathe to do. 2. Once they're on your list, many folks ignore / delete the emails because they're 'extra'.

Which isn't to say I'm not going that route. On the contrary. I probably will. I've started to before, but never really finished (see all my previous commentary on ADHD).

Even if / when I DO manage to create a reasonable email list, that still doesn't get around issue 1. The vast majority of the internet using world won't be on it. And dragonbones.net is accessible to pretty much everyone who has access to the web.

Shut up, man. Get to the point.

Okay, okay. Sorry. Verbose Guy here.

I thought I would start doing a monthly summary post on dragonbones about the sketch work that I did the month prior.

It's a good art-news system, it gives folks a taste of what's in the Patreon page if they might be interested, and it keeps dragonbones fresh(ish).

So here's the first one: The Sketchy Stuff from December 2022.

(Dwarf at the top of the page is just something I was noodling on... yesterday? This is at about the 1/2 hour stage.)

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1/24 '23
 
 

Did a sketch of a drider since we're facing a bunch of them in Brad's campaign. This may make it all the way to finished illustration.

Or I may have a case of the ADHDs. Time will tell.

Heh. Now that I've stepped away from it for a few and I'm looking at it with fresh eyes - it looks like he has a bad toupee on.

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7/13 '21
 

More to come, but I'm kinda diggin this Hulk sketch I did sitting in the Omega Diner while waiting for the weather to clear a bit more.

Gotta say - I'm impressed with how well the Apple Pencil does for 'loose sketching'. I know I've been using it for many years, but I seldom do 'sketching for sketching's sake' with it.

Feels good.

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7/11 '21 7 Comments
The sketch lines almost make him look like he’s vibrating! It’s fantastic!
Thanks! He is definitely 'high energy'.
I like it! Not sure why.
Thanks! It's messy, but it's fun. :)
Sweet!
Nice! Reminds me of a college art class I took. I have a very physical/tactile memory of the loose charcoal sketching we did of nude models. Looking at your Bulky Hulk reminds me of how that felt all over again. It was such a freeing sensation, all the quick, energetic strokes—I marvel at how you've achieved this electronically!
 

Did some sketching in a physical sketchbook for the first time in a bajillion years. This one is of a fairly traditional halfling, hairfoot, or 'hobbit' (if you're not concerned with copyright). I did this one for comparison and as the 'default' for people to reference. 

Then, next, I did a rough concept sketch of a sub race that my buddy Brad and I are working on that we are tentatively calling 'dustlings'.

It took me wayyy too long to realize that I'd recreated a jacked version of Smeagol / Golum from the Hobbit / LOTR.

Back to the (literal) drawing board. 

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6/2 '21 8 Comments
I dunno, it's okay? Gollum's a scrawny, craven little thief. Your guys look like they work for a living. Less agrarian, more hunter/gatherer kinda thing.
Thanks! I did some more putzing around and come up with something I'm at least a _little_ more satisfied with.

Still, glad to know this very was functional. :)
Swole-um
Yeah. Didn't mean to take it that far, but sometimes I get carried away. That's what I get for learning to draw by looking at superhero comics for decades. :P
YAY FOR PHYSICAL MEDIA!!!
Yeah. I imagine it really IS a little like if I was to get on a bicycle right about now...
"Art is theft."