Can we get to the part where Tr**p no longer occupies the top headline spot in almost every news outlet? Will this start to happen after the Electoral College confirms Biden's victory? After January 20th when Biden is sworn in? What additional BS does he have up his sleeve? How did such a malignant narcissist get elected to begin with?

OK, that's off my chest. Just having a moment of frustration.

Spent time online last nightwith my Dummies. Spouses (surviving--hi! Grim joke!) hopped on and off, but mostly it was me and these two wonderful friends. 

Today, Spouse and I did very little. Some laundry. Some video games. Food. TV. I signed up for the #MakeDontBreak mailing list, but did not notice it until I was too far into the Glogg to make today. 

Like many, I'm trying not to place too much weight on the new year--nothing, after all, has changed. I'm not putting any pressue on myself, honestly. I've made it this far; that's good enough.

I'll try to do more yoga. Try to walk more. Get back on my bike (even without replacement fenders). Get back into making sure my budget numbers are reconciled each month. Be more kind. Be more patient. Get my vaccine as soon as I can.

Let's start off with my album of the year: I Like Trains's KOMPROMAT. These once gloom-rockers are fucking pissed and this album is start-to-finish political criticism, from straight-up mockery of British elites to creepily anthropomorphizing social media algorithms.  Their first single, "The Truth", is huge and the video is great.  It is a new step in the evolution of their sound and i'd love nothing better than to travel to Europe in 2022 and attend a live show of theirs while i'm there.

Albums (alphabetically by artist):

• Compasses, Sotavento — A Venezuelan group composed music in the various national styles, with a prog/fusion bent.  They earned a Latin Grammy nomination for this.  Fun music and top-notch musicianship.
• Fleet Foxes, Shore — More of their pastoral sort of indie rock.  Apparently their last album was considered a bit of a downer and this is a departure, tonally.
• Junebug, Too Late to Love You — The adventure computer game Kentucky Route Zero is a lovely piece of interactive storytelling that was released as five acts (the final published in January 2020), and the music by Ben Babbitt was integral to the experience.  In the middle of the game, one of the characters, an android named Junebug, performs a great song titled "Too Late to Love You".  Babbitt has hinted for several years that he'd make a whole album as Junebug, and it dropped in the middle of the year.  The album itself is just okay, but true to the character.  Really, play KRZ.
• Kaki King, Modern Yesterdays — More guitar wizardry fom King.
• Yo-Yo Ma, Stuart Duncan, Edgar Meyer, Chris Thile, Not Our First Goat Rodeo — The followup to The Goat Rodeo Sessions is not quite as amazing as its predecessor, but you can't go wrong with this crew.
• Bob Mould, Blue Hearts — Bob is still pissed, but also hopeful.  A return to form in my view, his best since Silver Age.
• Nine Inch Nails, Ghosts V: Together and Ghosts VI: Locusts — Simultaneously released ambient electronica soundtracks of hope and anxiety, respectively.  Still available for free download.
• Patty Larkin, Bird in a Cage — Her best since Regrooving the Dream, she sets many of her favorite poems to music.
• Pearl Jam, Gigaton — Their best since the self-titled avocado album.
• Throwing Muses, Sun Racket — Just weird, which is a funny thing to say about a TM album.
• Wu Fei & Abigail Washburn, Wu Fei & Abigail Washburn — Guzheng and banjo performing Chinese and American folk tunes.  Really nice stuff.

EPs and singles: Midnight Oil's The Makarrata Project (they reunited, but just lost their bassist to cancer) is a collaboration with various Aboriginal artists, Andrew Bird's "Capital Crimes" is Bird at his most political, Venus Hum put out five new singles (plus a Christmas song) for the first time since 2009, and Elana Stone's "Permanent Limbo" is a perfect pandemic pop jewel.

Hello OPW platform. I think the time may finally have come for me to leave Facebook for good (and I mean that in both senses of the word: forever, and for benefit). This platform has always appealed to me more than that one anyway, with one exception: staying in touch with my family and distant friends. But that's not cutting it anymore. For one thing, that's a slacker way to stay in touch with the people I care about. For another, the rest of Facebook's features have coagulated into a steaming pile of toxic garbage. The bottom line is that I feel so much better when I don't look at Facebook.

Guess what else? My siblings and I have started communicating via a text thread that links all four of us. Now I have all the communication and none of the toxic garbage.

Also...more time for this platform, which links me to friends - also with none of the toxic garbage.

Thanks again, Tom. What took me so long?

I've been sad today. Finding everything stressful. 

Our 25-year-old car finally needs a repair that costs more than it's worth. We can afford to replace it, but it also does not feel worth the cost. We had not planned to replace it, knowing it was going to be beyond repair sooner or later. We really only use it to drive to my parents' (and then when it's only us, my sister and her family) and for heavy errands. But pandemic--and going to the grocery once a month or less--has made all errands heavy.

It seemed more cost effective to take cabs or Lyft back from the store or do carshare or rentals for the holiday trips to my parents. But cabs are a no-go right now and the pandemic has already caused a major decline in train service to my parents' house from the city.

And this is all making me cry constantly, which is ridiculous. And so over the top. Seriously. We're fine without a car. We're fine if we decide to buy one. We're fine. We're so much more fine than hundreds of thousands of families.

I am just exhuasted. And sad.

I did not see it coming, but the pandemic has forced me to learn how to use Instagram. I was already using it--posting pictures, tagging people, following people, liking things. But the stories? The messaging? The hows of all the ways you're supposed to use it were non-intuitive to me. Even off-putting. You know, in the making me feel Old and like technology is a demon, hey you kids get off my lawn way.

I'm not enchanted. And I'm still not making my own stories. but at least I know how to communicate with people there. And it's good because I miss people.

I haven't donated blood since February. I stopped because my doctor told me because of some iron deficiency issues. I'd always just sort of dealt with it through supplements, but she wanted me to stop, or at least only go half as often. Then COVID, i haven't donated in almost a year, which is the longest I've gone in a long time.

I feel guilty about it. Donating blood has always been such an easy thing for me. My office is right next door to a hospital which is always having a blood drive. If I remember to drink enough water, I fill the bag very quickly. My veins are uncooperative, but the folks at the Red Cross where I donate are very good at getting the needle in easily. I had even managed to work out my supplements and diet that I was only getting rejected for iron every couple of tries, instead of every other try. I was generally managing four donations or more a year.

I did it because it was so easy for me and because it's meaningful to the community. High impact, low effort. It always made me laugh as a vaguely gruesome application of my basic maxim: that our duty in society is to share our excess (time, talent, resources) with others.

I expect I'll start again, post-pandemic. But in the post-commute world, I wonder how frictionless it will be.

1990: Soda Stereo - Canción Animal
1991: Sting - The Soul Cages
1992: Juan Luis Guerra 4.40 - Areíto
1993: David Bowie - Black Tie White Noise
1994: Soundgarden - Superunknown
1995: Garbage - Garbage
1996: Soundgarden - Down on the Upside
1997: Depeche Mode - Ultra
1998: Garbage - Version 2.0
1999: Lakuna - Castle of Crime

2000: P J Harvey - Stories From the City, Stories From the Sea
2001: Tool - Lateralus
2002: dredg - El Cielo
2003: Throwing Muses - Throwing Muses
2004: Vernon Reid & Masque - Known Unknown
2005: Sleater-Kinney - The Woods
2006: Tool - 10,000 Days
2007: Battles - Mirrored
2008: My Brightest Diamond - A Thousand Shark's Teeth
2009: Them Crooked Vultures - Them Crooked Vultures

2010: AfroCubism - AfroCubism
2011: Yo-Yo Ma, Stuart Duncan, Edgar Meyer, Chris Thile - The Goat Rodeo Sessions
2012: Andrew Bird - Break It Yourself
2013: The Joy Formidable - Wolf's Law
2014: Snarky Puppy - We Like It Here
2015: Kathryn Calder - Kathryn Calder
2016: Garbage - Strange Little Birds
2017: St. Vincent - MASSEDUCTION
2018: The Joy Formidable - Aaarth
2019: Andrew Bird - My Finest Work Yet

2020 wrapup coming next.

So i've decided to do an Album of the Year contest among all i own.  No EPs or singles, no compilations, live albums OK.  Pickings are slim until the mid-80s.  Unsurprisingly, some years have a winner that may not be a favorite, but it's the best of the bunch.  Other years have 2 or 3 massive albums so choosing one is tough.

1956: Duke Ellington and His Orchestra - Ellington at Newport 1956 (Complete)
1957: Duke Ellington and His Orchestra - Such Sweet Thunder
1958: Duke Ellington and His Orchestra - Black, Brown and Beige
1959: Miles Davis - Kind of Blue

1962: Duke Ellington, Charlie Mingus, Max Roach - Money Jungle
1963: Lee Morgan - The Sidewinder
1964: John Coltrane - A Love Supreme

1966: Duke Ellington and His Orchestra - The Far East Suite
1967: The Jimi Hendrix Experience - Are You Experienced

1969: Leo Kottke - 6- and 12-String Guitar

1970: Santana - Abraxas
1971: Led Zeppelin - [untitled]
1972: Duke Ellington and His Orchestra - Latin American Suite
1973: Pink Floyd - Dark Side of the Moon
1974: King Crimson - Red
1975: Led Zeppelin - Physical Graffiti
1976: Jean Michel Jarre - Oxygène
1977: Pink Floyd - Animals
1978: Jean Michel Jarre - Équinoxe
1979: The Police - Reggatta de Blanc

1980: Talking Heads - Remain in Light
1981: King Crimson - Discipline
1982: Andy Summers & Robert Fripp - I Advance Masked
1983: The Police - Synchronicity
1984: Hüsker Dü - Zen Arcade
1985: Soda Stereo - Nada Personal
1986: Peter Gabriel - So
1987: Depeche Mode - Music for the Masses
1988: Living Colour - Vivid
1989: Pixies - Doolittle