yesterday afternoon, I wrote longhand at The Last Drop for 3 hours. It was productive, but almost not.
There were two men sitting next to me having a coffee date. One looked to be in his mid 50s and the other seemed like late 40s-early 50s. They both set off my gaydar, but lightly; you could tell they were men who'd lived in the quadrant between Vine & South, Broad and Front since maybe the 90s. Both of them had high-quality clothes and silver in their hair. I tried to ignore their conversation, but it was difficult.
They were talking extensively about properties they'd bought and sold, properties they'd bought and wanted to sell, properties they were trying to buy, properties they owned, in the city, in the burbs, how the city had changed, and all of this in a way that indicates money was not an object. Some of their details seemed fuzzy, like they weren't sure about whether or not certain businesses still existed or not. I know there's a lot of turnover in Philly's real estate market, but it was as if they were out of touch with real life. Still, I got the sense that they were guys who'd bought property in Center City back before or in the early days of the Street administration, taken advantage of tax breaks, and done well enough to now look down their nose at newer housing trends.
"It's nice. It's trendy, but not hipster. You know, not like... Fishtown."
"Remember back when Old City was nothing but us and Mulberry Market? We were pioneers. Pioneers."
The ease with which they talked about buying things was off-putting. I finally put my earbuds in and cranked up Pandora to block them out. After an hour or so, I took a bathroom and coffee refill break, so I took out my earbuds. When I came back, they were still talking about real estate.
"Oh, I LOVE New York. You know what I really want? I want to be able to have a place here, and then have a little place in New York."
"Huh. A little place? Like, two thousand bucks a month for a cubicle?"
"Oh, well, yeah."
"That's what a friend of mine has. He pays two grand a month for a room. That's it, just a room. It's like a hotel."
"Well, sure, but if you're out all the time, what do you need?"
"It has two windows. That's it."
(I wondered if the residents shared a bathroom, like in a dorm.)
"But you're out, you're going to museums, eating in restaurants, the art, the culture-"
"Oh, sure, sure."
"I'd just go up there on Thursday, stay there all weekend, come back on Monday, go to work."
I wanted to take notes on their conversation, and I wanted to dig in my purse for my emergency orange earplugs. I wanted to tell them that if they're so nuts about art and culture and able to work only 4 days a week, they should be throwing their money around here instead of spending it up there.
On the one hand, for example, I think it's great that The Curious Incident of the Dog In The Night-Time and The Audience and Hedwig are playing on Broadway. I think it's great that there's off-Broadway shows that are unusual and cool and might even star someone you've seen on TV. But their proposed system makes you not so much a master with two servants, but a tourist with no home. If your own city doesn't seem good enough, maybe it's because you didn't invest in it. Maybe if they quit looking for happiness and money elsewhere, they'd find it were they are. Click your damn heels, Dorothy.
and, as Jarvis Cocker said, everybody hates a tourist, especially when it's all such a laugh and the chip stains' grease will come out in the bath.
The guys decided to leave to have cocktails at about five minutes to two. in the afternoon. cause, what the hell. first they thought about going to Dirty Frank's, then Woody's (wondering if it still existed), and then Uncle's. They finally settled on Dirty Frank's.
I hope they remembered to bring cash, because Dirty Frank's doesn't take American Express.
And neither is music. Cue up the Rebecca Black. *fork in eye*
Ethan Hawke stars in NASCAR Hamlet.