Just wanted to take a second to report how happy I am that I left Farcebook. Yes, I miss social anouncements. But word of events generally reaches me, given time. And I don't have to waste processing cycles and emotional energy on the latest trauma du jour, real or imagined.

In general, I've been happier not knowing about the minutiae of my peer group's lives.

That is all.

I've been getting hired to play a lot of percussion gigs lately; and these gigs require actual sheet music and precision. When hands are busy, it's hard to turn paper pages, so for my recent Genesis gig I used a tablet with a bluetooth foot pedal to turn the pages.  This was extremely liberating, and I will never go back to paper!

In the past, if I have a singing gig where I only need lyrics and not actual sheet music, my fabulous Samsung Galaxy Note 10.1" I inherited from Matt Lichtenwalner is the perfect thing. However, it's got a pretty big bezel, so it's just too small for actual sheet music that I have to *read,* like for BeatleFest. (I cannot memorize the harmonies  plus percussion parts to 215 songs, because the harmony I sing changes on each song. Am I singing top? Middle? Switching on Page 4 because Brendan has been singing a certain part for 20 years and so just for these two words I sing this other thing?)

I looked at the new iPad Pro, but for $1200, I couldn't justify it... plus, I really just don't "get" IOS. It's unintuitive to me, which I know makes me weird.

After months of research, I settled on the Onyx Boox Max 2 Pro, which is my very first e-ink device. It purposely doesn't have a backlight, because I find that backlit devices cause eye fatigue like whoa, plus they can mess with the look of the stage when you have a fancy light show goin' on.  (I can always use a judiciously-placed stand light that can't be seen from the audience if necessary.)  This Boox Max 2 Pro sucker is 13.2", so it's larger than a sheet of 8.5" x 11" paper-- I don't have to squint or zoom to see my music. Yippee!  It's so much easier on my eyes, too!  And for making notes in my music, it's got Wacom 2048 levels of pressure sensitivity for the stylus, so making notes feels just like writing on paper, no lag, no bullshit.  

But what makes this tablet very different from many other e-ink devices is that it's an Android device that isn't locked down (runs Android Marshmallow), so you can install stuff off the Google Play Store to your heart's desire.  It runs Mobile Sheets Pro (my favorite-- and the publisher even made an e-ink version just for this specific tablet since so many pro musicians use it now), and has no problem with my bluetoof page-turner pedal. YES!

My goal was to buy a high-speed two-sides-at-once scanner, take my 3 GIANT binders of Beatles music and scan 'em in, and stick them on my tablet for BeatleFest.  Alas, the scanner I purchased for this purpose scanned lightning fast (35ppm!), but only if you didn't need to deviate from the defaults. The moment you wanted it to tweak any setting (a little more contrast, please?) it crawled to an unacceptable speed. Like, I would still be scanning my Beatles music long after BeatleFest 2019 ended. :-) 

I did a test run and scanned/imported my music for The Who tribute show we do (much less sheet music to scan), but I noticed that no matter which scanner settings I picked, I still couldn't easily read whatever notes I had written on my sheet music once I was viewing it on the tablet... which means I had to re-write 90% of my handwritten notes... which then looked sloppy because I was trying to trace over my original handwritten notes with the stylus. So annoying.

(So first world. I know.)

To Summarize:

So because the scanner was a bust, I will be returning the scanner, and I'll just import the original, plain PDFs of my BeatleFest music, and I will transcribe my handwritten notes using the tablet stylus. It'll save a ton of time in the long run, I'm sure.

I'm really excited to be able to use this tablet for BeatleFest. I'll have my binders there as a backup, of course... 

I'm also excited to get rid of that giant music stand that was blocking some of the cool percussion stuff that I was doing.  I know this tablet is large, but it's not nearly as intrusive as a music stand. And yay: hands free page turns!  Wooot!

There will still be plenty of gigs (mostly Hot Breakfast gigs) where I will prefer to use my smaller Samsung 10.1" Galaxy Note tablet, mostly because that smaller tablet is a full-color device (very helpful for lyrics) where e-ink tablets are obviously greyscale only. 

But it's nice to have the choice.  My eyeballs aren't getting any better as I get older, so having some options is really nice. 

I hate that women's clothes don't have useful pockets, especially being an anti-purse-ite (I just hate holding stuff or worrying about nouns). 

I am, however, a huge fan of infinity scarves (it's like a regular scarf, but they sew the ends together so it's a big loop) and I pretty much wear 'em on any day below 80 degrees.  And holycraaaap, you can get 'em with pockets! Eeeee! And I just found out about a nifty, nerdy, queer-owned Etsy shop based in Philly who makes 'em by hand, for slightly less than you'd pay for a shitty one from China on Amazon. And she'll even make custom-ones!

Speaking of queer-owned bidnesses in Philly, BillyPenn.com curated a list you can consider supporting this Pride month and fer always. (And holy balls, why have we not arranged a PhilaDel Field Trip to Henri David's Halloween?!)

TAKE MY MONEY! 

Thinking a lot about D-Day today. The NY Times had a lot of really powerful, moving articles with gorgeous, haunting photos in it. 

I cannot understand how some assfaces can look at those photos and read the accounts and think either that the holocaust was fake, the photos are fake, that Hitler and/or Nazis were fine people, or any of that.  

Reading that there are only 3% of WWII veterans left (who are all over 90) makes me wonder how we can make this history feel real and urgent to younger generations who only think of WWII as some random they had to memorize for a history test once. 

You hear so many people say, "My dad fought in the war, but he never ever would talk about it." So any chance of hearing stories first-hand were probably scarce to begin with, and now are dwindling so rapidly. 

When I was in high school, I was one of those people who didn't care about history, but now it fascinates me. Matt's folks take tons of classes at Delaware's Center for Lifelong Learning, and in a few years I'll be old enough to attend (I believe you have to be 50, though it might be 55). Matt's dad has taken a few classes on WW1, The Great Depression, WWII, and beyond. He said he's learned so much from listening to these historians with a knack for public speaking/teaching. 

Anyway, here are links to some really interesting articles if you wanna check 'em out:

D-Day in Photos: Heroes of a More Certain Time. (The photos are unreal. There's this one shot of a bunch of bandaged guys waiting to be taken to the hospital, and I noticed one guy up front has impossibly great hair considering where he is and what he just went through that day. But then it occurred to me that his big, boofy hair that I consider "impossibly great hair" was WAY too long at that time. Matt's dad said you could tell how long someone had been fighting by how long their hair was.)

Their Fathers Never Spoke of the War. Their Children Want to Know Why. (This article is about how historians are able to piece together pretty detailed pictures and descriptions of a particular soldier's every day life during the war, thanks to meticulous recordkeeping. Some of those records were damaged in a fire, but what remains is still pretty impressive.)

‘Archaeology of D-Day’ Aims to Preserve What the Soldiers Left Behind. The title says it all. 

Spare a thought or raise a glass to absent companions for all of the men who waded ashore or jumped into Normandy 75 years ago. A mere tithe of them are left to tell the stories of that day.

They shall grow not old, as we that are left grow old: 

Age shall not weary them, nor the years condemn. 

At the going down of the sun and in the morning 

We will remember them.

Lawrence Binyon, ​​​​​​​For the Fallen

A discussion developed in response to a friend's post about the security of entries here on OPW. I worked through my current understanding of the Key/Lock system here on a comment thread, and thought I would repost it here, publicly, for reference. Tom, if 1. You see this 2. it's accurate and 3. you are so inclined, feel free to copy and/or link to this post for reference. I'm happy to edit this post if that proves easier.

* * * * *

Let's assume I lock ALL of my posts with stop light colors. I would do that because I don't want Google or John Q. Public to be able to read what I write here. If I DID want that, I could just make the post "Public" and all the world could see them. At least that's my current understanding.

But I don't. I lock them all for the purposes of this scenario.

Posts that are pretty friendly to everyone get a Green Lock. I create that here: https://onepostwonder.com/friends# under the _New lock_ link. Posts that are only for close friends get an Yellow Lock, and of course, posts that show my Deep Dark Secrets and are thus only for my singnificant other get a Red Lock.

Then, I can give each person the correlating keys to the locks I want them to be able to open. I would do that for my imaginary friend Jane Doe here: https://onepostwonder.com/users/ImaginaryFriendJaneDoe and clicking on the _Give keys_ link under her her profile info.

This system allows for really accurate filtering, and kudos to Tom for using it. As I see it, the only 'down side' is that it could theoretically get pretty complicated over time if you had a lot of situational locks that you wanted to create. So while I don't use the system I described above, my system isn't far off.

* * * * *

Side thought: I just realized that I have no idea if/how 'hidden' response comments are to posts. ie - if I have access to my imaginary friend Jane Doe's entries, do I get to see responses by people I have no access to?

My gut reaction is yes, that I _can_ see those responses, but I'll have to double check.

I had this broken bird feeder in my backyard for eons (it's a platform-style feeder) -- it broke because it was cheap and the squirrels knocked it down a few too many times. It has sat empty for a year or two in my garage.

I always had pet birds growing up. I love birds. Seeing birds out in the wild makes me unreasonably happy. I just fucking LOVE birds. Any kind of bird. Common sparrow? Cute! Robin redbreast? Neato! Mourning Dove? I love your little hootie sound! And crows? OMG, they have my heart. What I would give to be adopted and trusted by a pair of crows. 

Anyway, I decided to fix and fill the platform feeder and place it outside the kitchen window, and the neighborhood birds have found it and they hang out there all the time. We have sparrows, mourning doves, a pair of cardinals (who are afraid of the tiniest thing), and the occasional little finch-looking things that I die over.  I always have the feeder filled with seeds, and occasionally I'll dice up an apple which they seem to appreciate.  I watch the Cornell University Bird Feeder Cam and saw they also put out oranges, but my birds gave no fucks whatsoever about the orange when I put it out, so I took it away so ants wouldn't discover it. 

I've been thinking about getting a bird bath/fountain (the kind where the water circulates) because birds appreciate clean water like anyone else, plus bathing birds are unfathomably cute, and it's also a sign of bird uber-trust and comfort, since wet birds can't fly... or, they fly as well as, say, a chicken. (Hello, run-on sentence.)

I was also thinking about getting a Ring Doorbell Cam but only aiming at at the feeder just so I can see cute fat birds all day. 

Or maybe I should just work on my goddamn courseware.

But.... BIRDS!

I had the good fortune to have brunch with the lovely Miss Knapp this morning. As is often the case after spending time with creative people, this has me on a bit of a high and feeling very creative / inspired / wanting to be productive.

So that’s the mood I was in when I hopped in my car and started heading back down to Maryland.

All of that is backstory to explain where I got the idea to create a Knappucino’s for Illustrators.

So here’s some thoughts I’m working through to see if this would be a worthwhile venture:

1. Would it be worth it for me? What’s my objective here? I mean, the arts are generally not a side hack you want to start if you’re looking to get paid. You either go all in, or you go home. There just isn’t room for ‘half way’. But maybe money isn’t the point. It’s certainly not what triggered the idea. The idea was feedback from the audience to the artists. Much like the original Knappucino’s wasn’t so local unknowns could get paid, but rather that they could try things out with an attentive audience who cared about such things. It’s a different starting point than most gallery showings I’ve come across.
2. Do artists want feedback? I know that I want feedback, but maybe I’m an oddball? Maybe it’s more of an illustrator thing. Since we tend to be more mercenary about our work than fine artists, the audience opinion matters more. Or at least, their feedback should. 
3. Do I want to invest this kind of time and effort? I know that Jill put a lot into the original. Perhaps much of this was emotional effort (I don’t want to presume to speak for her) but I have a pretty simple live right now. Chop wood, carry water. Repeat. More possessions and more activities create more stress. This is something I have to pay attention to.
4. Would I want to do this as a ‘pop up’ concept? A long time ago, I came up with an idea (I wasn’t the first) to do pop up galleries utilizing unused strip mall space. Getting folks to come through would potentially lead to business for the mall property owners, and it would provide me with free (too much to hope for?) space for the shows. This seems like an obvious extension to that idea. Would that just be making things overly complicated though?
5. How would it work? Simple is obviously the name of the game. At least to start with. So here’s my rough idea:

5a. I would try to control the flow of the audience through the space. Nothing super rigid, but creating a ‘direction of travel’ will help with some of the other elements we’ll find below.

5b. No artist’s statement. Start with the art.

5c. At the end of each artist’s section, there are printed forms for the audience to fill out. The forms are crazy simple: 3 questions to direct the flow of the feedback (see also: the Start with This episode dealing with Feedback - https://beta.prx.org/stories/273387) AND a space for people to write in their email address if they want to join the artist’s email list.

5d. Rinse, repeat for each artist in the show. (Initial shows would be kept to something like 3 or 4 at most - because KISS.)

Anywho - that’s what my brain is chewing on right now. Oh, that and the charity illustration I’m doing. Speaking of which - I should really get back to that now.

There's no flour or dairy in this cornbread recipe.

• 2 cups corn meal
• 2 cups nut milk with 1 tbsp lemon juice
• 2 eggs
• 4 tbs bacon grease
• 1 tsp each baking soda & baking powder
• 2 tsp salt (or to taste)
• 10" crockery or cast iron pan

How do

1. Preheat oven to 425F. Put the cooking vessel in to pre-heat for about five minutes.
2. Add milk and bacon grease to mixing bowl & heat (microwave, e.g.) until grease melts
3. Add other ingredients and fold gently until uniform.
4. Remove vessel from oven and gingerly coat with grease.
5. Pour batter into vessel, return to oven
6. Bake 18-25 minutes until nicely browned and toothpick comes clean
7. Let it cool on a rack 5-10 minutes at least before cutting in.

This is a good "substrate" cornbread. It holds together well when cooled, and wants stuff added to it, like gravy or butter or honey or jam or what-have-you. I used nut milk + lemon juice because I didn't want to pay for buttermilk and we have a house mate who can't do lactose; we have a nut milk maker here so it's easy enough to produce for cheap.

I imagine you could start by substituting a vegan shortening for the bacon grease to make it 100% hippie-safe, but you'd also need to do something with the eggs which provide the glue to hold it all together.

Found while purging & packing: excerpt from a comedy sketch I wrote during the summer of 2014. Probably NSFW.