• Justin Bell, Eternal Journey: more atmospheric soundtrack-quality pieces, this time not attached to any video game.
  
• Madison Cunningham, Ace: this is not your typical singer-songwriter album.  Cunningham started in the praise music genre, and has left that behind and also divorced her husband.  There's some real weight to the lyrics, and the song structures and chord changes are captivating.  Some are making Joni Mitchell comparisons which, eh, kind of a stretch.
• Die Spitz, Something to Consume: i have been sporadically checking out KEXP on YouTube and Instagram over the years; i saw the first 30 seconds of this and was hooked on their gritty, punkish energy, plus the rhythm section is solid.
• Florence + the Machine, Everybody Scream: she released it on Halloween and you can feel the spooky, witchy energy.  The lyrics for One of the Greats are so good.
  
• Kaki King, Tutto Passa (EP): amazing breadth for an EP, acoustic guitar to soundscapes to loud electric guitar.
• Kaki King & Tamar Eisenman, SEI: "Kaki King and Tamar Eisenman have co-created SEI, a full-length performance piece where guitar movement takes over the entire stage." The album is very good but the performance looks amazing, wish i'd've seen it.
• Kaki King, Stop Sometime (EP): more acoustic guitar from King. 
• Sarah McLachlan, Better Broken: another solid release, this features her daughters doing backing vocals on a couple of tracks.
  
• Mogwai, The Bad Fire: the Scottish post-rockers are back; saw them live this year and THEY ARE VERY LOUD. (mistakenly put this in 2024)
• Nation of Language, Dance Called Memory: remember synth-based New Wave? These folks do.  Another KEXP find.
  
• Vernon Reid, Hoodoo Telemetry: the master guitarist with another eclectic collection of songs, some featuring members of Burnt Sugar The Arkestra Chamber.
  
• Sphinx Virtuosi, American Mirror: the selections for this album focus more tightly on underrepresented contemporary composers.
  
• Steel Beans, Steel Beans: this guy went viral three years ago and somehow turned that moment into becoming the opening act for Tenacious D, and then Tool.  He'd been doing his own thing for over 15 years (he has over a dozen albums on Bandcamp), but suddenly caught fire.  I bought the EP that contained the viral song, enjoyed it, and waited to see what the next album would be like.  It does not disappoint.
  
• TAKAAT, Is Noise Vol. 1 & 2 (EP): like Garfield Minus Garfield, TAKAAT is Mdou Moctar minus Mdou Moctar.  Two short EPs featuring Tuareg rock originals and covers.
  
• Takénobu, Cosplay Karaoke コスプレカラオケ: another set of cello-centered chamber pop, this time with all lyrics in Japanese.
  
• veg., Defenestration: the instrumental metal grows in complexity in their first (short) album.
  
• zbs.fm, Tell Me Who You Think I Am: chill, downtempo electronica from the kid of a friend of a friend.
  

• BALTHVS, Harvest / Khruangbin, A LA SALA: these are very similar; loungey, funky, chill, mostly instrumental rock, two dudes on guitar and drums, and a gal on bass and vocals.
• Andrew Bird & Madison Cunningham, Cunningham Bird: a complete cover of the legendary (and unpublished since its 1973 release) Buckingham Nicks, which put them on Mick Fleetwood's radar, whose band they would then join and the rest is history.  Buckingham and Nicks had made sporadic noises over the years about reissuing it, and it does not seem coincidence that they finally did so a year after this stellar cover, which in many ways improves upon the original.
• Andrew Bird Trio, Sunday Morning Put-On: Bird puts together a trio to cover some of his favorite jazz standards (coincidentally including "Django", which was on Buckingham Nicks and thus on Cunningham Bird).
• Nelson Echandia, Tu Creación: the bassist for the progressive joropo (my label) group Compasses puts out his first solo album.
• Garbage, Lie to Me (EP): three good new songs plus a remix from their worst album Bleed Like Me. Add the album they released this year and it seems that every fourth album of theirs is a stinker.
• David Gilmour, Luck and Strange: definite case of old man voice, but he collaborates with his youngest daughter on a couple of tracks to good effect, and his guitar is still amazing.
• Tony Levin, Bringing It Down to the Bass: the master of the bass guitar shows some range in this solo effort.
• Loreena McKennitt, The Road Back Home: a live album where she plays some of her favorite Celtic classics from her busking days.
• Mdou Moctar, Funeral for Justice: more socially conscious desert rock, Moctar agitates for his people and culture.
• Christian McBride & Edgar Meyer, But Who's Gonna Play the Melody?: two double bassists trade leads and share compositions.
  
• My Brightest Diamond, Fight the Real Terror: the title (and title track) are an homage to Sinéad O'Connor.  More of a solo affair, the instrumentation is a bit sparse, but the songs are good.
• St. Vincent, All Born Screaming: a return to form after the self-indulgent Daddy's Home, although it is probably her second-worst album.  She also made an extremely ill-advised companion album with the lyrics translated to Spanish that is best avoided.
• Tragic Lovers, VALENTINE (EP): post-punk from Portland, their compositions are really starting to gel.
• veg., DETONATION (EP): San José's own instrumental metal band.  The songs show more dynamics and breadth from their debut EP.

Hmm, looks like i missed a couple of years.

Andrew Bird, Outside Problems: the companion album to 2022's Inside Problems.  Instrumental improvisation, collected and curated.

Depeche Mode, Memento Mori: the twist here is band member Andrew Fletcher dying before its release.

Peter Gabriel, i/o: he couln't decide on the final mix so he released two versions, his first album since 2002.

Garbage, Witness to Your Love (EP): four tracks, including the title track which was first released in 2008 on a fundraising compilaton, and a Siouxsie and the Banshees cover.

Béla Fleck, Zakir Hussain, Edgar Meyer feat. Rakesh Chaurasia, As We Speak: Banjo, tabla, double bass, and bansuri. More genre-busting stuff from Fleck and Meyer.

Rodrigo y Gabriela, In Between Thoughts... A New World: the arrangements continue to become more elaborate as they grow in their craft. 

Ballaké Sissoko & Derek Gripper, Ballaké Sissoko & Derek Gripper: Gripper is known for playing kora tunes on guitar.  Here he pairs with a kora player and the result is magic. We somewhat randomly saw them live and it was so good.

Sphinx Virtuosi, Songs for Our Times: The Sphinx Organization is a group that supports underrepresented classical musicians and composers, and their Virtuosi is their top echelon.

Takénobu, Sushi Tapes Vol. 1, 2, 3: a collection of his YouTube cello improvisations.

3rd Secret, The 2nd 3rd Secret: Krist Novoselic's band added Kim Thayil and Matt Cameron halfway through the previous album. This one's better and more even, mellow rock with female vocalists.

Katie Wighton, The End: a quick pop album from one of the members of All Our Exes Live in Texas.

In vaguely alphabetical order:

Baby Velvet, Please Don't Be in Love With Someone Else — Hannah Crofts from All Our Exes Live in Texas has her solo debut.  Lovely, sightly neurotic pop.

Andrew Bird, Inside Problems — What more can i say?  Bird always brings the goods.

Dead Engine, Brake — (EP) Another small set of power trio rock.

Guilhem Desq & Sébastien Gisbert, Storm — Desq's manic electric hurdy gurdy is joined by Gisbert's thrumming percussion.

50 Foot Wave, Black Pearl — (EP) There was always a clear stylistic break between her two bands as well as her solo work, but the latest Throwing Muses, 50 Foot Wave, and Kristin Hersh releases sound very similar.  Sludgey, abrasive, sometimes it feel like i'm still listening out of inertia.

Florence + the Machine, Dance Fever — A fuller and broader work than her previous album.  Her voice is still a marvel to behold.

Grieflines, Fathoms — (EP) Electronica side project for I Like Trains guitarist Guy Bannister.

Imogen Heap & Dan O'Neill, Chordata Bytes I — Heap has taken a library of oceanic sounds from marine biologist O'Neill and turned it into electronic music.

Jean-Michel Jarre, Oxymore — Jarre had been collaborating with Pierre Henry, musique concrète pioneer, but he died in 2017.  That work is now finished.  It's a... grimier work, but still very Jarre.

Zola Jesus, Arkhon — Spooky, haunting vocals are her bread and butter.

Rokia Koné & Jacknife Lee, Bamanan — Malian pop, a Bandcamp suggestion that hit me right away.

Midnight Oil, Resist — My album of the year, everything the Oils are known for, a massive comeback album.

Sea Power, Everything Was Forever — Their soundtrack to Disco Elysium (an amazing video game that is accessible to any level of gaming skill) piqued my interest.  A few of the DE tracks resurface here with lyrics.

Tears for Fears, The Tipping Point —Another comeback album, this one where an old rift between the band members was repaired.  It's a lovely work.

I wrote it somewhere else.

Let's start off with my album of the year: I Like Trains's KOMPROMAT. These once gloom-rockers are fucking pissed and this album is start-to-finish political criticism, from straight-up mockery of British elites to creepily anthropomorphizing social media algorithms.  Their first single, "The Truth", is huge and the video is great.  It is a new step in the evolution of their sound and i'd love nothing better than to travel to Europe in 2022 and attend a live show of theirs while i'm there.

Albums (alphabetically by artist):

• Compasses, Sotavento — A Venezuelan group composed music in the various national styles, with a prog/fusion bent.  They earned a Latin Grammy nomination for this.  Fun music and top-notch musicianship.
• Fleet Foxes, Shore — More of their pastoral sort of indie rock.  Apparently their last album was considered a bit of a downer and this is a departure, tonally.
• Junebug, Too Late to Love You — The adventure computer game Kentucky Route Zero is a lovely piece of interactive storytelling that was released as five acts (the final published in January 2020), and the music by Ben Babbitt was integral to the experience.  In the middle of the game, one of the characters, an android named Junebug, performs a great song titled "Too Late to Love You".  Babbitt has hinted for several years that he'd make a whole album as Junebug, and it dropped in the middle of the year.  The album itself is just okay, but true to the character.  Really, play KRZ.
• Kaki King, Modern Yesterdays — More guitar wizardry fom King.
• Yo-Yo Ma, Stuart Duncan, Edgar Meyer, Chris Thile, Not Our First Goat Rodeo — The followup to The Goat Rodeo Sessions is not quite as amazing as its predecessor, but you can't go wrong with this crew.
• Bob Mould, Blue Hearts — Bob is still pissed, but also hopeful.  A return to form in my view, his best since Silver Age.
• Nine Inch Nails, Ghosts V: Together and Ghosts VI: Locusts — Simultaneously released ambient electronica soundtracks of hope and anxiety, respectively.  Still available for free download.
• Patty Larkin, Bird in a Cage — Her best since Regrooving the Dream, she sets many of her favorite poems to music.
• Pearl Jam, Gigaton — Their best since the self-titled avocado album.
• Throwing Muses, Sun Racket — Just weird, which is a funny thing to say about a TM album.
• Wu Fei & Abigail Washburn, Wu Fei & Abigail Washburn — Guzheng and banjo performing Chinese and American folk tunes.  Really nice stuff.

EPs and singles: Midnight Oil's The Makarrata Project (they reunited, but just lost their bassist to cancer) is a collaboration with various Aboriginal artists, Andrew Bird's "Capital Crimes" is Bird at his most political, Venus Hum put out five new singles (plus a Christmas song) for the first time since 2009, and Elana Stone's "Permanent Limbo" is a perfect pandemic pop jewel.

1990: Soda Stereo - Canción Animal
1991: Sting - The Soul Cages
1992: Juan Luis Guerra 4.40 - Areíto
1993: David Bowie - Black Tie White Noise
1994: Soundgarden - Superunknown
1995: Garbage - Garbage
1996: Soundgarden - Down on the Upside
1997: Depeche Mode - Ultra
1998: Garbage - Version 2.0
1999: Lakuna - Castle of Crime

2000: P J Harvey - Stories From the City, Stories From the Sea
2001: Tool - Lateralus
2002: dredg - El Cielo
2003: Throwing Muses - Throwing Muses
2004: Vernon Reid & Masque - Known Unknown
2005: Sleater-Kinney - The Woods
2006: Tool - 10,000 Days
2007: Battles - Mirrored
2008: My Brightest Diamond - A Thousand Shark's Teeth
2009: Them Crooked Vultures - Them Crooked Vultures

2010: AfroCubism - AfroCubism
2011: Yo-Yo Ma, Stuart Duncan, Edgar Meyer, Chris Thile - The Goat Rodeo Sessions
2012: Andrew Bird - Break It Yourself
2013: The Joy Formidable - Wolf's Law
2014: Snarky Puppy - We Like It Here
2015: Kathryn Calder - Kathryn Calder
2016: Garbage - Strange Little Birds
2017: St. Vincent - MASSEDUCTION
2018: The Joy Formidable - Aaarth
2019: Andrew Bird - My Finest Work Yet

2020 wrapup coming next.

So i've decided to do an Album of the Year contest among all i own.  No EPs or singles, no compilations, live albums OK.  Pickings are slim until the mid-80s.  Unsurprisingly, some years have a winner that may not be a favorite, but it's the best of the bunch.  Other years have 2 or 3 massive albums so choosing one is tough.

1956: Duke Ellington and His Orchestra - Ellington at Newport 1956 (Complete)
1957: Duke Ellington and His Orchestra - Such Sweet Thunder
1958: Duke Ellington and His Orchestra - Black, Brown and Beige
1959: Miles Davis - Kind of Blue

1962: Duke Ellington, Charlie Mingus, Max Roach - Money Jungle
1963: Lee Morgan - The Sidewinder
1964: John Coltrane - A Love Supreme

1966: Duke Ellington and His Orchestra - The Far East Suite
1967: The Jimi Hendrix Experience - Are You Experienced

1969: Leo Kottke - 6- and 12-String Guitar

1970: Santana - Abraxas
1971: Led Zeppelin - [untitled]
1972: Duke Ellington and His Orchestra - Latin American Suite
1973: Pink Floyd - Dark Side of the Moon
1974: King Crimson - Red
1975: Led Zeppelin - Physical Graffiti
1976: Jean Michel Jarre - Oxygène
1977: Pink Floyd - Animals
1978: Jean Michel Jarre - Équinoxe
1979: The Police - Reggatta de Blanc

1980: Talking Heads - Remain in Light
1981: King Crimson - Discipline
1982: Andy Summers & Robert Fripp - I Advance Masked
1983: The Police - Synchronicity
1984: Hüsker Dü - Zen Arcade
1985: Soda Stereo - Nada Personal
1986: Peter Gabriel - So
1987: Depeche Mode - Music for the Masses
1988: Living Colour - Vivid
1989: Pixies - Doolittle