Never underestimate the transformative power of doodling.
5/6 '20
I was in a bad mood, but I'm feeling much better now.




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I was in a bad mood, but I'm feeling much better now.
Holy shit share that
That guy? Ooh, thank you!
We need to get you some unlined paper lady. ;)
I also know that "pages with great texture" and "recycled paper" don't always go hand in hand.
>>"I also have Journal Fear"
They're called SKETCHbooks. Not REFINEDPERFECTARTbooks.
>>"In a perfect world"
They make cheap ass notedbooks with dots out of recycled paper. Or at least, I know that they make all three of those things, so I'm confident SOMEONE put all three concepts into a single notebook.
>>>"I also know"
Yeah - the whole recycled paper / great texture is the one area where you might have to go without. I have yet to find that particular combo, but it's probably a quest worth undergoing. I also find that I sincerely enjoy ball point pen on way-too-smooth computer paper. The whole 'glide-y factor' can and does make drawing different and fun at times. So paper texture might not be the ultimate concern.
Basically, what I'm saying here is "MOAR Lindsay Art Please!"
First: I'd never come across Brunetti before. After some quick Googling / YouTubing, I'm fascinated! I can see his influence in Ted's stuff now that I'm aware of it. :) Thanks for broadening my perspective. I wouldn't have seen it in yours if you hadn't said something because you seem to be fleshing out (heh) more details. Your drawing fu is strong.
Second: Nice work on the breakdown of someone 'unzipping'. You figured out what the focus is and as long as that expresses what you're trying to get across, the rest are just details. THIS is the stuff of master Pictionary artists. (And truthfully, ANY kind of illustrator, but it's even more critical in the time constrained world of Pictionary.)