In alphabetical order, 2019 releases:

• Battles, Juice B Crypts— The band's down to two members now.  Bleepier.  Vocal collaborations like Gloss Drop.
• Andrew Bird, My Finest Work Yet— He's not kidding.  He keeps getting better.
• Ioanna Gika, Thalassa— She had a guest appearance on Stumptown, where she played an amazing cover of "One Thing Leads to Another", so i looked her up and yeah, sold.
• The Joy Formidable, Y Falŵn Drom— The band reissued their debut mini-album A Balloon Called Moaning for its 10th anniversary, but also recorded new versions of the songs with Welsh lyrics.
• Juan Luis Guerra 4.40, Literal— He remains a force, so very good at what he does, and barely looks like he's aged since he came across my cultural radar 30 years ago.
• Mdou Moctar, Ilana: The Creator— Tuareg Nigerien rock.  Recommendation from a friend, another instant buy.
• The New Pornographers, In the Morse Code of Brake Lights— Another TNP album without Dan Bejar, which is fine by me.  Doesn't feel as good as its predecessor.
• Rodrigo y Gabriela, Mettavolution— Fabulous.  They stretch by adding more multi-track work, electric guitar, and vocals.  Their arrangement of Pink Floyd's "Echoes" is epic.
• Takénobu, Conclusion— Nick Ogawa is joined now on violin by his fiancée Kathryn Koch; here, they re-record some older tracks and add new ones.  They're great together.
• Tool, Fear Inoculum— It's good but... the tracks lack separation.  The overall feel is too similar.  And their ultra-deluxe CD packaging ($45, if you can find it) feels like a cash grab from their legion of slavering fans (i bought the MP3 album).

There was also Sleater-Kinney's The Center Won't Hold, but it was super disappointing and, alas, prophetic.