I continue to be bad at updating, but the long and short of it is, I DID get the tooth out, and a bone graft was done, and now it's been almost a month and by the end of the week, the surgeon thinks the hole in my mouth should be closed up.

He said when I had the stitches out two weeks ago (ow!) that it's healing up well, and in three and a half months, I go back to have it looked at again and see if I can get the implant or what next.

I got to be unconscious. Lovely, lovely blackness, going to dark with a tooth in and resurfacing with a tooth out and no memory of anything in between.

As I was waiting to go under, there was a guy moaning loudly in the next room in pain and G and I looked at each other like...fuck, that is NOT what we need to be hearing right now. Closed the door and tried not to think of it.

I bled for 12 hours after, before it finally stopped. It hurt...but the pain was manageable enough. 

It's still hard to chew on that side of my mouth, in fact I'm not really doing that yet so eating isn't exactly pleasurable but I'm getting there.

It seriously set back my eating better and exercising more plan by a month, which peeves me, but...I mean...it had to be done.

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6/21 '23 4 Comments
Feel better!
Thanks!
oooh gentle hugs for the ouchy mouth, but oh those blissful black naps...sometimes I wish I could just front up at the hospital aand say "twilight sedation for one please" and just have the best sleep ever

Also, I hope your plans get back on track soon xx
I have a messy response to full anesthesia, so the first time I experienced twilight sedation was quite an eye opener. Pause button, no catch!
 

Working on my first instructional ebook. How to Draw Fantastic Humans.

The idea is to follow it up later with How to Draw Fantastic Elves, then Dwarves, etc..

If you've ever wanted to learn how to draw people, I would deeply and sincerely appreciate any questions you might have so that I can address them in the book.

Please and thank you!

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6/19 '23 23 Comments
Hands: how do I even
I'm on the job!
Starting in on this. Is there anything specific you’re wondering about?
There will be text to go with these, obviously, but for now, I’m working on the illustrations.

Are these helping to make sense of hands at all?
Holy crap yes!!! This is all considerably more thorough than I expected from this book. Way past beginner's/simple. But in a good way. But also could reaaaaallly split this up I think into multiple books.
Eyes: how to make them look normal, and more or less the same size, and like...like eyes. Young eyes, old eyes. Squinty, wide-eyed, surprized, narrowed, loving, contented, laughing, angry...
Good call - I planned to do something about eyes in general, but I really appreciate the clarity on finer points, and I will be sure to add them!
Ooooh this is exciting!
Maintaining proper proportions of parts while the figure is in motion. I'm thinking back to a drawing I did in school of a soccer player kicking a ball towards the viewer....had the worst time getting the kicking leg to look right.
Ohhh. That’s a tricky one. Perspective and foreshortening are both challenging on their own, but together, they grow exponentially harder. I do plan to at least start into them in the book though, so I’ll let you know when I have something.
Oh that's a good point. Maybe doing a beginner's book would be good and then you can get into the finer points in a second edition since people like to learn one chunk at a time...?
Or, in our modern era, I could create a ‘living book’ that grows over time. 😏
I like it. Though ya may lose some revenue there as you won't have repeat customers on the same topic.

I've seen people do a similar thing for courses though that helps you get something out fast.

Beginner's version: First incarnation sells for a lower price, and ya get feedback to find out what else people want. Then as you add more from their suggestions or questions, it sells for more, but the OG's get the additional content. Win Win for everyone.

Then the Intermediate book, same thing, etc.
 

Every day, I have always had a deep need for long quiet. It is more challenging to find in a blended family household of four children, and sometimes I feel so pushed and bent, like I am on a ride that is spinning me too quickly. My career, as it is now, is a difficulty, as the daily requirements of what I do and how it is structured relies on a personality and constitution that thrives on stress. I suppose at some point in time, this may have been me. My nervous system has declared otherwise.

There are times when I need to sit in a chair and have deep thinky thinks. I often do not arrive at any set conclusion, but I do know the process is important. Righ tnow I am in an orange chair with a floral foot rest. A cup of strong coffee is beside me and the silver light outside floods the living room and catches all the blues. 

Outside the dahlias push up, the roses struggle as they lately do in our cloudy Junes. I have had breakfast: leftover kimchee rice with a freshly cooked egg. I wonder sometimes that all portions come in these giant containers lately. Anne wrote a post that intersected with many thoughts I have not been able to express. I have read it twenty times at least. Maybve more.

The other day, in Capitol Hill, in the center of the sidwalk, was a brand new Fischer Price Castle. It was in a battered box, dusty and kept in an attic or basement, but brand new. I picked it up and carried it home, set it on the table, and wiped it clean. I explored every inch of it, the yellow drawbridge, the staircase that swings out. This castle is over 50 years old, and we had one we played with. As an object, it stirred up old memories. Going into the co-op grocery, whole wheat bread, good food sweetened with honey, not sugar.  Sprouts grown on the windowsill, handmade quilts. Handwritten cookbooks people would share, the beards and long hair of the late seventies, where, in Alaska, things had not shifted yet and people were hopeful, had moved to make change real. People came there to find themselves, and very often, they were the people who lived outside the system or were not accepted. 

We were still five years behind the culture wave of the rest of the United States.

Shortly after we moved to Hawaii, and there the 1980's were in effect, materialistic and hairsprayed and those that lagged wore liesure suits.  Another One Bites the Dust blared from the car stereos as we crossed the busy street on the way to school. It was a big change from the guitairs, and Gordon Lightfoot I'd known before. Wall to wall carpet smelling of chemicals, pools with people who came to be perminently on vacation, and heat, body oil, and that infidelity song about the man who places the ad in the paper. My father had cancer, I remember the smell of chemotherapy and vomit. We went through the trash in the park, gathering up tin cans to recycle.

My mother hated it, and after a few years we came to Seattle. I remember downtown, the child and teenage prositutes that congregated around Pike Place Market. We sat for long hours in Pioneer Square, feeding pigeons, while parents look for work or places to live. Coffee in paper cups, paper bags of popcorn. Long bus rides after being soaked in the rain, and a certain downtrodden hopelessness that filtered through everything. Boeing had done massive layoffs.  

People in our neighborhood surrendered children to Child Protective Services, or sent them to live with relatives as there was no work, no food, and social services were thin. Dad was still ill, he'd walk around the waterfront looking for work, and he'd get free coffee from the Millionair's Club or places like that. My mom took us to pick blackberries by the side of the highway, or apples from some of the trees that remained after the road was built in, splitting up orchards. The Green River murderer dumped bodies.

The rain came down and drummed our roof, and she moved us to rural Washington.  Economic despair was there, and we struggled. Some of my friends lived in "fifth wheelers" or single wide trailers with blue tarps over the roof. We lived in a convereted commercial chicken house. The smell of chickens was pervasive, and there was no insulation in the walls. The floors were plywood, and uneven, someone had simply stapled carpet on top of them and in places, used glue to hold it down, including the bathroom. The house was sinking into the mud, so we had to crawl underneath and use car jacks to push it up. We tore up the stained and mouldy carpet that was saturated with animal leavings from the people before, scrapped, pulled nails, and saved up to put down 3/4 plywood on the floor. We salvaged a couch from one of the outlying buildings, dried it in front of the wood stove which was our only source of heat, and accepted that it always had a damp smell. We could only afford one can of paint, so we watered it down to paint over the fly specs on the walls. We salvaged a dresser from the other buildings that had to be torn down as they filled with animal feces. We bagged up garbage, a mount of it as high as the house, dispersing rats. When the rats ran at us, the pitbull terrier dog Minnie we'd adopted from the local vet ran to defend her children. She grabbed rats and snapped their necks, sending them flying in the air. She was the gentlest soul, the greatest treasure and find of a dog. We cleaned the land, we allowed it to restore itself, to grow thick with vegetation where too many horses and cows had been kept. We learned the names of the plants, we learned the shape and flow of the subterranian river that flowed underneath it. At night, when we lay down, we could hear the river run under the house. 

The property came with animals. The people before us had trapped wild geese and ducks, and then fed them so they stayed on the pond. We inherited a vast array of ducks of all kinds. We were unsure how to keep them, so my mother got books from the library and asked around. We tore down the chickenhouses built over the streams as it dirtied up the water in the pond. We set them free range, and I learned to outsprint the rooster and the gander. There were frogs the size of a throw pillow and as small as my thumbnail. I know how to start a fire and thaw and burn frozen wood. I can cook on a wood stove. We put in gardens and I found a nearby abandoned apple orchard, likely one of the original white colonial settlers to the area. We picked apples, Surveyor's Berries, blackberries, wild hazelnuts, mint, and dark rooted, thick, damp watercress before I knew the word "forage". Soon most of our food came from our garden.  I explored the woods around, for miles and miles, sometimes with just a buck knife, or when I was older, a pellet gun or even a pistol. Strange to me to think that I had and carried my own pistol at sixteen, but there were still cougars and other wild animals you may want to scare off.

The library in town was tiny, but so good.  It was the size of a master bedroom, and right beside the jail. I read so much from there, and I rode the school bus and hated the local schools and eventually commuted out of our rural community to a private college prep school. It took me a car ride, three buses and an hour and a half each way but I did it and then I got a scholarship to NYU. The morning I left for New York City I got up and walked down to the duckpond, one last time.

These are all the parts I carry inside me. Despite the struggles of that time, my nervous system was not a wreck from how we lived. There is a centered part of me that knows that much in me can be solved by the pure joy of physical labor that betters a place. Inside me is a girl who finds abandoned orchards, who always knew how to make cookies and tea from scratch, who knows that the joy of a salvaged couch means that there is no harm a dog can do to it and thusly the dog can always sit on the couch. I loved the people I met and how they taught me. How to catch a fish and cook it on a campfire, but not in an REI camping sense. How to read a river, follow tracks, find a trail. Fridge pickles, the merit of coffee grounds, how to layer cardboard to make a garden.

I am born and live with hope in me, it is a feathered thing, indeed. It is in ducklings in the park, who know me and let me close, it is in the crows I feed in the alley, it is in the starling baby I found at the barns while riding recently. I thought it dead and picked it up, but once I saw it was still living I held her to warm her. There is a woman who lives and works at the barn, she speaks no English and I speak little Spanish saw me and came to me immediately. We both spoke bird, and hope, I passed the baby to her and the little bird is thriving now.

The summer I was thirteen I went back to Alaska. I worked with my aunt who groomed dogs. We groomed a lot of sled dogs. During my work there I met a woman who owned a fishcamp. We stayed overnight at her house, I slept downstairs, and admired the photographs of her from when she was young, and a model. Her name was Susan, and she left Seattle, and Mercer Island,t o come and live in Alaska, own her own fish camp, and wear nothing but soft flannels.  I understand now a little why someone would do that, but at the time it did not make sense to me. I longed to work on a film set, to be in that world, and that she had it and left was confusing.

I do not want to own a fishcamp. I don't need a retreat from my life, but I need the interior spaces within me to be larger, expand, breathe. 

I need to work, work is, actually, a pleasure of life, but I do not want it to destroy my body any longer. I need to separate the things thrust upon me that are the agreed upon things to panic about and be upset about and say, I will not.  This panic that I carry during work, the hard feeling of my swollen lymphs, the fight or flight, I want to let this part go. I am freer when I do not need things, as I can work less. 

I do not think people in my daily life know that these things are part of me. I still like a couch that can hold a dog.  I still know where hidden rivers run in run.

I need to heal. I did not know it started here.




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6/18 '23 3 Comments
The Fischer-Price Castle! Wow! That is an entire short story, right there. Like, seriously. I could write a short story about that. You could write a short story about that. I'm so glad you rescued it.

The rest of your post...as always, your words and the way you think and write are so lovely and what an interesting life you led--and are leading.
I want to order the peoples to go with it, the horse and the furniture. There is some still floating around my parents house (of course there is) but I just really want it for my own self and in my office.
You should have it for your own self and in your office! And get the peoples and the furniture and most especially the horse! Life is too fleeting not to have a simple joy like this ❤️
 

May and June have spilled open their fruit. It is the season of throwing graduation caps in the air, and people saying, " you may kiss the bride!" My birthday closed my forty seventh year on the planet, and opened my forty eighth. My first film project in my 48th year is a documentary.

So much has happened. The town is sluggish with lack of work, the air smells faintly of salt water because salt is everywhere. 

Every Tuesday and Friday I drive an hour outside the city. I turn off one main country road to a smaller one, until finally I drive down a lane. A black Fresian gelding, and a black mini horse cavort together in a field. I drive past the stables, to a long line of horse trailers. There I tuck my small car, and finish the last sips of my coffee. Ahead of me, in the field, entirely on his lazy, lies Samwise. He is a Gypsy Vanner horse, the horse of a friend and while he is usually playful and frisky, he adores rolling in the dust and mud after a bath. Horses, I have learned, greatly enjoy being dirty.

I love the stables this time of day, when the morning is fresh and the doves coo and call to each other. Blueberry and Muffin, the golden eyed teenagery cats dart around, hunting me as I walk. Some horses are in stalls, but most are turned out. I still have yet to see anyone, though evidence of work is all around. Clean pavement glistens from its wash. Water pails are full.  I go to the tack room, choose my saddle, and get Grand's bridle from the wall.

Grand is one of the older lesson horses. Over thirty years old, he has a leadership streak that makes him more challening. He is used for adults, but even then one must be aware that he can be difficult. I walk to the field where he grazes and he looks up at me, accepting being caught with only the resistence of one pull or tug. We walk back to the barn where I begin the process of grooming him, picking out his feet, and tacking him up. 

Today we began to learn to jump. 

Grand and I have been studying dressage together. They tried me on two horses, one that I thought possibly was asleep throughout the lesson, the other simply decided she did not like me. Grand was another try, a tall gentleman who has serious considerations for his herd. I have seen him whinny and strain when the babies are brought in for the farrier. As I lead him to and from the stable, it is not uncommon for the other horses to run to greet him, whinnying. He is popular, and deeply social. The first time I rode him he resisted me. Now he often comes to me, trusting me enough to groom his face and the spot he likes best. brushed gently, right between his ears. He is excellent at dressage, and responsive once I urge him beyond a disintersted walk and he knows I am serious about trotting. He has also come to know me as I know that the left right hoof is sensivtive, that he sometimes stumbles on his left and that he prefers a strong handle on the bridle instead of leading with my legs.

He likes me. I think that won some esteem among the instructors. 

Today we are just stepping over logs stacked, but we move quickly from a walk to a trot and then he casually takes me into a canter. We are not supposed to canter yet, but I'm seated well on him and he goes for a bit before he minds Kayla who calls to him. I started lessons for my job, now I am riding for me. I like this powerful, opinionated fellow, a beautiful bay horse. I wonder who he worked with for so many years, before he was sold into retirement to give lessons. I do not think I could do this to my friend but perhaps I do not know. He is beloved by the instructors at the barn, though he gives the fewest lessons because he is so spirited. It is clear to us both that he loves to jump, though he's not allowed to fully jump any longer due to his age. No one has to tell me that I am learning quickly. 

My life is uncomfortable with growth right now. My son leaves soon, there will be travel all summer before I meet him in San Jose for college. I have accepted and will attend a low residency Writing for Film and Television MFA program. 

I just submitted my book to an agent friend, who, strange to say, I have known thirty years. He agreed he'd read my book.

Seattle rains as it does in June. Every evening I sojourn to the duckpond in Volunteer Park to visit the clutches of ducklings there. I write and clean and prepare for my documentary shoot. I apply for full time jobs so I can continue my riding habit and pay the remaining balance my scholarship for grad school does not cover. I daydream of eventing. I heal myself in the singular focus of human and horse. I emerge from my Fridays tired, rested, and whole, smelling of Grand and hay. 

I am shy and not always welcoming to what comes next. As I age, change is harder. I turn the dial on the things that I know will keep me healthy. Age, and hypothyrodism and a bad bout of COVID lead to a massive weight gain. Since January I have lost twenty pounds. By December I hope to lose twenty more. Riding is part of that, the vitamins are part of it. Transition and grief are not tipped out into wine glasses or coffee cups any longer (though I still enjoy small amounts of each) and I seek sleep, long, deep hours of sleep.

By September, I will know what happens next.

Until then, I will tell you what I know, here.




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6/17 '23 5 Comments
That was just sumptuous to read.
Because I can't just revel in the beauty of your post without being silly ...

"I apply for full time jobs so I can continue my riding habit" Riding habit!

But seriously. I remember (this is a childhood memory from a summer at camp) a horse named Night Train. He was difficult and most of the kids were afraid of him. He wasn't dangerous, just had his own way, and he was bigger and stronger than most of the horses we were allowed for lessons. I loved him. I had to ride him because he allowed me, and I knew I was guiding him, but not controlling him. One day we were cantering and he just took off - I was hanging on for dear life, terrified and exhilarated. I was reprimanded by the instructor - I could have reined him in, but I didn't. Luckily, she wasn't that mad and no one else in the class wanted to ride him, so we didn't get split up. We won third place at the horse show at the end of camp. I remember that I was excited about placing, not mad that I didn't get first or second. It was camp, we had riding lessons a couple of times a week and I was there because it was fun.

I am so excited about your accomplishments! I can picture you riding so easily, it's a perfect fit of Katie and Grand. Also, letting go of your first child, your boy who you spent so much of your life protecting and nourishing and now is still your child but in many ways an old friend ... I know exactly how it feels, and I am here. Always. xoxoxxxxo
"I apply for full time jobs so I can continue my riding habit" Riding habit! HA! That was for you, so I am glad you caught it!

I love that you’re learning to ride! Remember I grew up on a horse farm, if I can help in any way…

Horses *are* very healing,

Did you get my birthday card?

It’s good to hear from you here.
 
 

I made some improvements to OnePo this week. Specifically:

  • I brought back the ability to insert more text, image and video blocks in between existing blocks in your post. Personally I found it too crazymaking to always add things at the bottom and then nudge them up.
  • However, there were user experience concerns expressed about that being too much before. This is why I took a stab at a better experience for it: the buttons to add new blocks are nestled in a single "+" toggle above each existing block, and you can toggle it closed again.
  • Speaking of nudging things up from the bottom, that was not a great experience either, particularly if you had to nudge something with the arrows ten times. So now we drag blocks around instead.

These changes work well on desktop, should also work well on tablets (let me know if you get the chance to try it), and work okay on mobile. I do find the new experience of dragging an image a little weird on the iPhone, but it works and hopefully I can continue to fine-tune it.

However... these changes are a bit selfish. There's nothing wrong, obviously, with putting my own uncompensated free time into features I like. Honestly! The nerve of this guy!

But, I've also promised alt text for images and that's a matter of accessibility. So I will get back to that next.

Alt text will be easiest to add for images in posts, because those are full-blown blocks in the editor. Adding one more editable field to them is no big deal.

But for images in comments, it's necessary to rethink the user experience. Right now it's a bit of a hack: "just pick an image and it'll upload and bam your comment is live!" That's cute, but it closes the door on adding alt text before your comment is live. And also there is currently no way to edit an existing image comment. So yeah, rethink.

I did carry out some interesting experiments in that area recently, which also included improvements to the image uploading experience. If I manage to carry that through, image uploads will be a lot faster because the browser will be doing the initial resizing work if necessary.

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6/15 '23 39 Comments
It’s interesting how what makes you happy about OPW is and adding features is also things which are generally good. You’re not like other people who say, “IT WORKS it performs as advertised YAY now how do we use this for data mining and charge people $120 a month for it?”
This is why we love it here. Because we trust Tom to be the caretaker of our stories.
Tom has been a builder and a respectful steward of Community for as long as I've known him. Which... is a WHILE.
I met Tom in my freshman year of college. He was a junior. How did you two meet?
I’ve been wondering the same thing but didn’t know how to ask politely. I assumed it was talk.bizarre.
Annie and I met through talk.bizarre, so about the same time I met you IRL, and I once visited Casa Canetoad just after college. Also saw each other at an in person talk.bizarre BOB. I was gaffe central back then, but a few years on I set up Nerdsholm and did a respectable job of that whole stewarding thing for a number of years. Still remember Annie’s incarnation as Slim the Cowboy with fondness.
It's funny - I never experienced talk.bizarre, but I know enough folks that were part of it that it feels like it's a part of my own history. Kinda mind wobbly, that.
(For anyone who didn't experience Nerdsholm: it was basically an online chat server, although nominally a shared text adventure-y kind of space, as many were at the time. A large cohort of us were logged into it pretty much continuously and shared quite a bit of our lives. There was a wedding!)
That’s awesome.

My buddy Wes briefly set up an installation of his own custom MUD for some of us to use as a chat server. Not the same, but fun.
I have fond memories.
Annie is kind. I was quite a doofus when we met. But I grew into a respectfully stewarding doofus.
Tom is far more modest than I am kind.
Both can be true. In fact, I'll just say both are true - Tom is very modest, you are very kind.
I yield to your superior wisdom!
Tom is very modest, Anne is very kind, and Shell is very wise!
Yeah I’m way more modest than - damn.
That was much faster and easier than usual.
Actually it’s a mandevilla and some nasturtiums, but yes, the upload went more smoothly.
I didn’t do anything about the upload yet actually. That’s all in the experiment column right now.
Come in, I was giving you credit!
Sometimes I forget how big your brain is. Tis a thing of wonder.

I read your words about “user experience” and… it would never occur to me that these things needed “fixing.” Every day I’m merely grateful for this gift you provide and how it unfolds again and again, every day, in front of me.
She said it better than I did.
Yup. That exactly. Thank you!
I'm just happy he uses it for the Forces of Good. 😉
>Speaking of nudging things up from the bottom

How about a little French thing that hasn’t been fed in 9 or 12 weeks nudging things up from the bottom, Chris?
Hey, how do I turn the email reminder back on?
"Me" -> "Account" -> "Daily Email" checkbox
Thanks. As a low priority task, could you date stamp and separate the notifications? Maybe date stamp replies as well, although I enjoy the clean aesthetic.
and can you put a 3/4" layer of cream cheese frosting on top? Must be made with real Philadelphia cream cheese.
With a cherry too, please.
You won't get it if you've cleared your notifications by looking at them on the web.
Hmmm. I do both. I get the email, but I also do a 'detailed' look using the notifications on the web.

I mean, I _want_ both, but I'm wondering if there's a risk I will accidentally turn something off now.
You won’t turn anything off. It just won’t send what you have already read.
 

Circa 2002, Meredith Tanner posted a stylized version of this picture titled "BABY".  My son refuses to believe that he was a meme at such an early age.  Does anyone have a copy of the BABY icon?  Failing that, will you at least attest to the fact that you remember it?

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6/12 '23 2 Comments
I wish I could support you in this, but I do not recall the picture, and don't see it in my copy of the TBWA :(
Maybe it was on livejournal? I'm remembering it as a user icon somewhere.
 

So you're at the public pool. You finally managed to learn to keep your head above water all by yourself.

Then, you get splashed a lot and when you look around, you realize that you're in a pool where olympic athletes come to do their laps. You're surrounded by them.

Then someone comes along and says "Guess what folks, we figured out individual motor boats. No need to know how to swim anymore!"

Makes it kinda hard to keep your head above the water.

* * * * *

In case it's not abundantly clear - I'm kinda burning out. I'm still plugging along, but my heart's not really in it. There's a tremendous sense of "What's the point?"

Anyway - the image(s) up top are what I did today on my day off (rain).

Tried a new technique. Someone pointed out in one of the videos I watched that there's no real reason to stick to the old process of a. pencils, b. inks, c. color flats, and d. rendering because that was designed for the comics of old based on physical limitations created by the printing process. So if you're working digitally...

So I went straight from 'pencils' to 'painting'. Dunno. There's some good texture in there, but I think I should have spent more time on the figure's silhouette. The arms get a bit confusing.

The pose was based a little on the third one below - all of which I did yesterday just to be 'putting pen to paper'.

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6/11 '23 9 Comments
I hate to say this because I think I know what the answer is, but what if you drew with actual pencil/pen/paper or stopped using digital media for, say, a week?
I know, there’s a limited amount of stuff you can carry around with you. I get a lot of enjoyment out of the tactile part of art and crafts: writing in a notebook with a good pen, doodling with a pencil on paper, knitting with different kinds of yarn. Maybe this would help you find some enjoyment in it again.
It's funny you should mention that...

I just made myself a little 'traditional media art kit' that I keep in the car. it's another man-purse (I'm a bag whore) with the following things in it (if my memory covers everything):
* moleskine sketchbook
* small pack of watercolors (2 different packs) with brushes
* pencils
* ink pens (fineline)
* kneeded eraser
* a couple of card games
* a watercolor postcards pad (paint your postcard, then tear it out, apply postage and send)

I too get a lot out of traditional media work. It _feels good_ to do.

Two problems I have:
1. I KEEP trying to tape the page with two fingers and 'undo' the last stroke I made. I can't tell you how many times I do this. I really am a trained monkey.
2. It feels SO inefficient now. It's silly, but this actually bothers me down deep. There's a part of my brain that's constantly whispering: "We could do that faster. That wouldn't be an issue if... You know, that would take as long if..."

That's not to say it's without value. I really will try to do more, but it's a convenience thing on top of everything else.

If I stop to grab a bite, which of the two bags will I grab? The one with traditional media? (Cumbersome, no art in it to show folks who ask, can only do one thing) Or the iPad bag (with ALL my art in it, games to play while I'm eating, etc...)
Is it because of the pressure of trying to make a go of it? Figuring out how to sell, etc?
I know that can sometimes take the joy out of a thing...or is it the A.I. situation alone?
Yes to both.

And more.
I’ve been in a similar state of disheartened frustration myself lately. This is the advice my brain barfed out this evening. It may or may not make as much sense as I’d like it to.

Doug Adams said the answer to life, the universe, & everything is 42.

That's likely true. But I think all the answers can more easily be found in The Princess Bride (though towels are helpful in most any situation…).

When one has a solid direction & is aware of the terrors, one can move with effortless ease through the fireswamp. Without the awareness & direction, one spends the majority of their time fighting off R.O.U.S., half drowning in the lightning sand, whilst repeatedly falling victim to fire spurts.

Is that the definition of living there quite comfortably for some time?

Noooooooooo.

That’s just surviving out of sheer will, determination, & an intense distaste for Humperdink.

But that doesn’t allow time for thinking things through clearly, or thoroughly. Or the brainpower to ask pertinent questions like…

"What are our assets?" and "What are our liabilities?"

Take some time. Do some stuff you enjoy. Do your art for the sheer love/fun of it.

Fuck Humperdink (don’t literally fuck Humperdink…he looks like a super selfish lay…just let go of the pressure).

That’ll give ya the opportunity to assess what the assets and liabilities are.

Which generally brings clarity and direction.

So creativity can burn brightly.

Like a holocaust cloak.

And then all ya gotta do is lay around in bed admiring perfect breasts & making a few brilliant verbal stabs at that stupid Humperdink.

And Voila! Ya got the Princess.

Yes, and, yes, I wholeheartedly get it. I once was in a situation where I had to revise a play I wrote for the Philly Fringe by a specific deadline and my computer DIED. I had to rewrite by hand on paper. This was 2003 or so. Nobody had smartphones. I had to rewrite it by hand, then take it to my parents’ house and type it really fast and send it to the director.
The slow, tiring process of writing it made me think my way through what I wanted to say and use as few words as possible.

My point is, the slow process will make you learn what AI never will.
Too true. And I really do need to 'disconnect' more often than I currently do - that's for damn sure.
I just looked through the list of stuff in your non-digital art bag and I love it so much I had to buy watercolor postcards.
I overthink my visual art because I worry about wasting art supplies but then I don’t improve because I don’t practice. Unused art supplies are a bigger waste.
 

I think we should ban the use of the phrase "game changer" and related buzz words.

If I hear one more YouTuber talk about how this shade of yellow is a TOTAL GAME CHANGER or how the nuance of this tiny adjustment to something someone else has been doing for years "totally changes everything" I'm going to have to crush someone under my foot, and since I am not in the presence of said YouTuber - because, YouTube - that means some poor schlub is going to receive a significant dose of violence not meant for them.

I think that it would be perfectly reasonable, for example, to laugh out loud and point directly at the next person you hear say "this is a game changer". And keep laughing until they leave the room or start crying.

It's obnoxious, and it's one of those things that isn't going to change because no one will do something like what I described above.

Harumph, and get off my lawn!*

[editor's note: On the off chance that you're reading this and don't know me IRL, let me be clear: I am NOT actually advocating for violence or even actual shaming someone. I'm just being grumpy and venting about something I find utterly ridiculous and annoying.]

*That shouldn't really be a problem because I don't have a lawn. 😜

Whoa. Check that out - emoticons italicize?!

Yes. There are actually things that are game changers. Due to the fact that they actually change things significantly, they happen super rarely.

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6/7 '23 7 Comments
Of course, if someone just grabbed all the components to a board game I was playing and replaced them with some other game, I might be inclined to violence [okay, sternly worded confusion] rather than just conceding their accurate fulfilment of the phrase.
I wholeheartedly agree. Say what you mean, don’t use buzzwords.
I honestly think it’s a kind of laziness. I don’t think that they are consciously thinking “I’ll say ‘game changer’ because that’s impactful.” I think it’s more a subconscious ‘herd mentality’ thing.

And THAT is really what’s at the core of my irritation. I dislike the “I’m just one of the Many.”

Please, people. Be weird. Let your freak flag fly. Be yourself.
When a word or phrase is overused, it becomes meaningless. Business buzzwords annoy me because they fill air without conveying useful information. The company I work for wants us to "build our own brand" internally (it's a huge company). WTF does that mean? Insta my outfits?

Two of my "brands" are Lucky Brand jeans and Trident gum so ... I am a good day for Poseidon. Neptune if you're derivative.

Buzzwords can buzz off!

[and if you are thinking of Chris Tucker as Ruby Rod in the 5th Element, that's about right ...]
Absolutely.

I'm also thinking of our own Chris and his efforts a while back to replace the word 'literally' (in its legitimate usage) with the word 'figuratively' - just to fuck with people and make a point of how ridiculous the current usage of 'literally' in the vernacular du jour is.

I kinda want to go back to that.

And maybe do something similar with all these business buzz terms.
I'm literally, epically laughing my ass off right now. 😘
 

So belief in something creates a god (or goddess or...) of that thing. Even a small amount of faith - by billions of people - adds up.

Goddess of Footwear.

God of the Monsters Under the Bed.

Goddess of Walks in the Park.

God of Brunch.

You get the idea.

I'd love to collect a series of short stories by authors more skilled than myself for a compendium where I illustrate each god(dess).

I could imagine short stories on everything from their daily existence to their creation to the indirect effects of their existence on the rest of us.

Diversity in both the sorts of gods as well as the types of stories would be the point. My art would be the only consistent thing throughout the book, because I think there needs to be a visual consistency to avoid being distracting.

Consider this Creative Idea Number 734098450893278 that I won't ever be able to get to. :(

Anyway - the image up top is the latest Twitter thing I'm doing. The place is a cess pool, and keeps glitching for me, but my little corner seems (relatively) unaffected, so I keep going. Seems like it is (overall) circling the drain though.

If any of you would like to play, I made a template that prints out to 8.5 x 11 with light lines so you can use paper and pencils/pens:

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6/5 '23 2 Comments
I used to make offerings to the Goddess of Parking Spaces by tossing pennies underneath a car I'd just parked, thanking her for the parking space.

I told Edmundson about this. He said, "Oh, yeah, the goddess of parking spaces is totally legit, her name is Squat. Chris Adams and I used to drive around West Philly, looking for parking, and he'd have his head out the window, shouting, "A juicy lamb for SQUAT!"
Oh that’s fantastic! Just the sort of thing that should go into The Book That Shan’t Be!